The Shahnameh
The Persian Epic as World Literature
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- $48.99
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- $48.99
Publisher Description
The Shahnameh, an epic poem recounting the foundation of Iran across mythical, heroic, and historical ages, is the beating heart of Persian literature and culture. Composed by Abu al-Qasem Ferdowsi over a thirty-year period and completed in the year 1010, the epic has entertained generations of readers and profoundly shaped Persian culture, society, and politics. For a millennium, Iranian and Persian-speaking people around the globe have read, memorized, discussed, performed, adapted, and loved the poem.
In this book, Hamid Dabashi brings the Shahnameh to renewed global attention, encapsulating a lifetime of learning and teaching the Persian epic for a new generation of readers. Dabashi insightfully traces the epic’s history, authorship, poetic significance, complicated legacy of political uses and abuses, and enduring significance in colonial and postcolonial contexts. In addition to explaining and celebrating what makes the Shahnameh such a distinctive literary work, he also considers the poem in the context of other epics, such as the Aeneid and the Odyssey, and critical debates about the concept of world literature. Arguing that Ferdowsi’s epic and its reception broached this idea long before nineteenth-century Western literary criticism, Dabashi makes a powerful case that we need to rethink the very notion of “world literature” in light of his reading of the Persian epic.
PUBLISHERS WEEKLY
This enlightening scholarly study will serve, for most Western readers, as their introduction to the Persian Book of Kings, "the longest epic poem in the world composed by one poet." Written between 977 and 1010 CE by Hakim Abolqasem Ferdowsi Tusi, the poem is a cornerstone of Persian culture, according to Dabashi (Persophilia: Persian Culture on the Global Scene), a Columbia professor of comparative literature and Iranian studies. Some 50,000 verses long, it narrates a history of Persia from the beginning of the world to the Arab conquest of the nation's Sassanid dynasty in 650 CE. Dabashi provides background on Ferdowsi and the pre-Islamic epic tradition that shaped his poem before sharing colorful accounts of its cast of warrior kings, rebellious offspring, and seductive courtesans, among them the tragic tale of Rostam, who unknowingly kills his son Sohrab in battle, and the sinister one of Zahhak, whose shoulders sprout carnivorous snakes after he murders his father, Marda. Part of Dabashi's goal is to rescue the poem from its current position as an outlier to "world literature," a concept he crankily dismisses as "the imperial wet dream of European literature." Whether he succeeds in his ambition "to alter the very notion of world literature," his book will surely drive readers to seek out the poem for themselves.
