The Stark Munro Letters

I have missed you very much since your return to America, my dear Bertie, for you are the one man upon this earth to whom I have ever been able to unreservedly open my whole mind. I don't know why it is; for, now that I come to think of it, I have never enjoyed very much of your confidence in return. But that may be my fault. Perhaps you don't find me sympathetic, even though I have every wish to be. I can only say that I find you intensely so, and perhaps I presume too much upon the fact. But no, every instinct in my nature tells me that I don't bore you by my confidences.

Can you remember Cullingworth at the University? You never were in the athletic set, and so it is possible that you don't. Anyway, I'll take it for granted that you don't, and explain it all from the beginning. I'm sure that you would know his photograph, however, for the reason that he was the ugliest and queerest-looking man of our year.

Physically he was a fine athlete—one of the fastest and most determined Rugby forwards that I have ever known, though he played so savage a game that he was never given his international cap. He was well-grown, five foot nine perhaps, with square shoulders, an arching chest, and a quick jerky way of walking. He had a round strong head, bristling with short wiry black hair. His face was wonderfully ugly, but it was the ugliness of character, which is as attractive as beauty. His jaw and eyebrows were scraggy and rough-hewn, his nose aggressive and red-shot, his eyes small and near set, light blue in colour, and capable of assuming a very genial and also an exceedingly vindictive expression. A slight wiry moustache covered his upper lip, and his teeth were yellow, strong, and overlapping. Add to this that he seldom wore collar or necktie, that his throat was the colour and texture of the bark of a Scotch fir, and that he had a voice and especially a laugh like a bull's bellow. Then you have some idea (if you can piece all these items in your mind) of the outward James Cullingworth.

But the inner man, after all, was what was most worth noting. I don't pretend to know what genius is. Carlyle's definition always seemed to me to be a very crisp and clear statement of what it is NOT. Far from its being an infinite capacity for taking pains, its leading characteristic, as far as I have ever been able to observe it, has been that it allows the possessor of it to attain results by a sort of instinct which other men could only reach by hard work. In this sense Cullingworth was the greatest genius that I have ever known. He never seemed to work, and yet he took the anatomy prize over the heads of all the ten-hour-a-day men. That might not count for much, for he was quite capable of idling ostentatiously all day and then reading desperately all night; but start a subject of your own for him, and then see his originality and strength. Talk about torpedoes, and he would catch up a pencil, and on the back of an old envelope from his pocket he would sketch out some novel contrivance for piercing a ship's netting and getting at her side, which might no doubt involve some technical impossibility, but which would at least be quite plausible and new. Then as he drew, his bristling eyebrows would contract, his small eyes would gleam with excitement, his lips would be pressed together, and he would end by banging on the paper with his open hand, and shouting in his exultation. You would think that his one mission in life was to invent torpedoes. But next instant, if you were to express surprise as to how it was that the Egyptian workmen elevated the stones to the top of the pyramids, out would come the pencil and envelope, and he would propound a scheme for doing that with equal energy and conviction. This ingenuity was joined to an extremely sanguine nature. As he paced up and down in his jerky quick-stepping fashion after one of these flights of invention, he would take out patents for it, receive you as his partner in the enterprise, have it adopted in every civilised country, see all conceivable applications of it, count up his probable royalties, sketch out the novel methods in which he would invest his gains, and finally retire with the most gigantic fortune that has ever been amassed. And you would be swept along by his words, and would be carried every foot of the way with him, so that it would come as quite a shock to you when you suddenly fell back to earth again, and found yourself trudging the city street a poor student, with Kirk's Physiology under your arm, and hardly the price of your luncheon in your pocket.