The Summer of Lost and Found
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4,3 • 11 notes
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- 10,99 $
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- 10,99 $
Description de l’éditeur
The New York Times bestselling Beach House series continues with this timely, tender, and compassionate tale of perseverance, love, and the bonds of family in the face of tremendous and sometimes painful upheaval.
The coming of spring usually means renewal, but for Linnea Rutledge, this spring is only bringing challenges. Linnea faces a layoff from the aquarium she adores, and her family’s finances, emotions, and health teeter on the brink. To complicate matters, her new love interest, Gordon, struggles to return to the Isle of Palms from England. Meanwhile, her old flame, John, turns up from California and is quarantining next door. She tries to ignore him, but when he sends her plaintive notes in the form of paper airplanes, old sparks ignite. When Gordon at last reaches the island, Linnea wonders—is it possible to love two men at the same time?
Love in the time of COVID-19 proves difficult, at times humorous, and ever changing. Relationships are redefined, friendships made and broken, and marriages tested. As the weeks turn to months, and another sea turtle season comes to a close, Linnea learns there are more meaningful lessons during this summer than opportunities lost: that summer is a time of wonder, and that the exotic lives in our own backyards.
Poignant and moving, The Summer of Lost and Found is “a novel of growing up, saying goodbye to the past, and learning to ask yourself the hard questions, including one of the most vital of all: ‘Who do you really want to be?’” (Kristin Harmel, New York Times bestselling author).
PUBLISHERS WEEKLY
Shipstead (Seating Arrangements) returns with a breathtaking epic of a female aviator. In 1914, infant twins Marian and Jamie Graves are sent to their dissolute uncle in Montana after their mother dies. There, a married pair of barnstormers inspires 12-year-old Marian, who feels "only lightness" as a passenger during a roll, loop, and nosedive. As a teen trucking hootch during Prohibition, Marian makes a delivery to a brothel, where she meets bootlegger Barclay Macqueen, who sponsors her interest in flying. Later Barclay traps her in a disastrous marriage, and she flees to become a bush pilot in Alaska. Her subsequent exploits are thrillingly and perceptively chronicled: during WWII, she ferries Spitfires for the RAF, and in 1949 embarks on a fateful pole-to-pole circumnavigation of the globe, which leads to a crash in Antarctica, after which she is assumed to have died. Shipstead interweaves stories of Jamie, who becomes an artist and draws battle scenes during WWII, and of her wartime lover, Ruth, with asides about historic aviators (many of them women), and convincingly conveys her characters' yearning for connection, freedom, and purpose. In a present-day narrative, film star Hadley Baxter, herself orphaned by a plane crash, is cast to portray Marian, an ambitious move for Hadley after having been known for her role in a Twilight-esque fantasy series. Shipstead manages to portray both Marian's and Hadley's expanded sense of consciousness as they push the boundaries inscribed around them—Marian's through flight and Hadley's through creative inspiration (a particularly colorful scene has her zooming on psychedelic mushrooms). This is a stunning feat.
