The Thief Taker
A Novel
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- $16.99
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- $16.99
Publisher Description
In the cellar there was no sound at all except her own breathing and the soft rustle of her skirts. After her eyes had grown accustomed to the dark, she noticed a niche in the wall a yard from where she stood. She saw something there about the size of her fist. Agnes quietly picked it up. It was wrapped in a cloth and surprisingly heavy. . . a pistol, the hilt filthy with mud and dirt. Suddenly she heard the chinking sound of glasses nearby. There was no mistaking the voices now. Before she had time to call out, another door creaked open and the pair emerged from the darkness.
Agnes Meadowes is cook to the Blanchards of Foster Lane, the renowned London silversmiths. Preparing jugged hare, oyster loaves, almond soup, and other delicacies for the family has given her a dependable life for herself and her son. But when the Blanchards' most prestigious commission, a giant silver wine cooler, is stolen and a young apprentice murdered, Theodore Blanchard calls on Agnes to investigate below stairs. Soon she is inside the sordid underworld of London crime, where learning the truth comes at a high price.
PUBLISHERS WEEKLY
Following the cabinetmakers of The Grenadillo Box (2004) and the portraitists of The Serpent in the Garden (2005), Gleeson hangs her solid third historical on another group of artisans a family of silversmiths, the Blanchards, who have fallen on uncertain times in 18th-century London. When an apprentice is murdered, the kitchen maid vanishes and the business's most valuable commission a huge wine cooler is stolen, the Blanchards' cook, Agnes Meadowes, becomes the improbable prime sleuth. Meadowes first negotiates with the corrupt character of the novel's title, who's suspected of engineering the crime to profit from recovering the stolen item. She takes a more active role after she begins to suspect an accomplice inside the Blanchard household. Meadowes's eventual success owes more to bravery and doggedness than actual deduction, making her a less interesting sleuth than her fictional peers in the late Bruce Alexander's Sir John Fielding mystery series, also set in Georgian England.
