The Ultimate Egoist
Volume I: The Complete Stories of Theodore Sturgeon
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5,0 • 1 note
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- 11,99 $
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- 11,99 $
Description de l’éditeur
A collection of the early works of Theodore Sturgeon, acclaimed Grand Master of Science Fiction—featuring forewords by Ray Bradbury and Arthur C. Clarke
Although Theodore Sturgeon's reach was limited to the lengths of the short story and novelette, his influence was strongly felt by even the most original science fiction stylists—including Ray Bradbury, Arthur C. Clarke, and Gene Wolfe. Written from 1937 to 1940, the stories here showcase Sturgeon's masterful knack for clever, O. Henry-ish plot twists, sparkling character development, and almost archetypal, “Why didn't I think of that?” story ideas. Early Sturgeon masterpieces include “It,” a story about the violence done by a creature spontaneously born from garbage and mud, and “Helix the Cat,” about an inventor's bizarre encounter with a disembodied soul and the cat that saves it.
Featuring more than forty stories, The Ultimate Egoist is a timelessly entertaining tour through the early career and unique genius of this legend of science fiction.
PUBLISHERS WEEKLY
Samuel R. Delany notes in his excellent foreword here that Theodore Sturgeon (1918-1985) is the master of near-future science fiction-a contention backed by the stories in this second volume (following The Ultimate Egoist) of a projected 10-volume series presenting all of Sturgeon's short fiction. There are some dated references in these tales, written in 1940 and 1941-a ``twelve-dollar French meal,'' ``an automobile mechanic $23 a week''-but only a few of the stories (such as ``Two Percent Inspiration'' in which the planet Mercury has a breathable atmosphere) seem merely quaint. The title tale, which reveals the symbiosis between an inventor and the community of microscopic beings he creates, is perhaps Sturgeon's best remembered. But it is stories such as ``The Golden Egg,'' ``The Anonymous'' and ``Shottle Bop'' that reveal the author's attention to the finer nuances of being human. Even the weakest entries here display Sturgeon's curiosity and refusal to write stock entertainment. The range of this volume-which ends at Sturgeon's first major writing block-is prodigious, and that the author produced such epiphaniac work as ``The Golden Egg'' and the title tale before his 24th birthday is cause for amazement. Everyone interested in SF's potential as abiding literature should cherish this volume.
