The Widow's War
A Novel
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5.0 • 2 Ratings
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- $11.99
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- $11.99
Publisher Description
The Red Tent meets The Scarlett Letter in this haunting historical novel set in a colonial New England whaling village.
“When was it that the sense of trouble grew to fear, the fear to certainty? When she sat down to another solitary supper of bread and beer and picked cucumber? When she heard the second sounding of the geese? Or had she known that morning when she stepped outside and felt the wind? Might as well say she knew it when Edward took his first whaling trip to the Canada River, or when they married, or when, as a young girl, she stood on the beach and watched Edward bring about his father’s boat in the Point of Rock Channel. Whatever its begetting, when Edward’s cousin Shubael Hopkins and his wife Betsey came through the door, they brought her no new grief, but an old acquaintance.”
When Lyddie Berry’s husband is lost in a storm at sea, she finds that her status as a widow is vastly changed from that of respectable married woman. Now she is the “dependent” of her nearest male relative—her son-in-law. Refusing to bow to societal pressure that demands she cede everything that she and her husband worked for, Lyddie becomes an outcast from family, friends, and neighbors—yet ultimately discovers a deeper sense of self and, unexpectedly, love.
Evocative and stunningly assured, The Widow’s War is an unforgettable work of literary magic, a spellbinding tale from a gifted talent.
PUBLISHERS WEEKLY
Mystery author Gunning (Fire Water) moves to literary historical with this provocative tale of a whaling widow determined to forge a new life in colonial Cape Cod. When Lyddie Berry's husband drowns in 1761, her grief is compounded by the discovery that he's willed her the traditional widow's share one-third use, but not ownership, of his estate. Lyddie's care, and the bulk of the estate, have been entrusted to their closest male relative, son-in-law Nathan Clarke, husband to their daughter Mehitable and a man used to ordering a household around. Lyddie's struggle to maintain a place in her radically changed home soon brings her into open conflict with an increasingly short-tempered Nathan and his children from two previous marriages. Gunning infuses the story with suspense and intrigue, as Lyddie's plight brings her into the orbit of local Indian Sam Cowett; community censure then brings her an ally in sympathetic lawyer Ebeneezer Freeman. Gunning resists easy generalizations and stereotypes while the story pulls in 18th-century law and Anglo-Indian relations, but the dull period dialogue, of which there is a great deal, reads awkwardly. Yet she makes Lyddie's struggle to remake her life credible and the world she inhabits complex.
