The Woman Upstairs
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3,2 • 9 notes
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- 13,99 $
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- 13,99 $
Description de l’éditeur
Nora Eldridge, a 37-year-old elementary school teacher in Cambridge, Massachusetts, is on the verge of disappearing. Having abandoned her desire to be an artist, she has become the "woman upstairs," a reliable friend and tidy neighbour always on the fringe of others' achievements. Then into her classroom walks a new pupil, Reza Shahid, a child who enchants as if from a fairy tale. He and his parents--dashing Skandar, a half-Muslim Professor of Ethical History born in Beirut, and Sirena, an effortlessly glamorous Italian artist--have come to America for Skandar to teach at Harvard.
But one afternoon, Reza is attacked by schoolyard bullies who punch, push and call him a "terrorist," and Nora is quickly drawn deep into the complex world of the Shahid family. Soon she finds herself falling in love with them, separately and together. Nora's happiness explodes her boundaries--until Sirena's own ambition leads to a shattering betrayal.
Written with intimacy and piercing emotion, this urgently dispatched story of obsession and artistic fulfillment explores the thrill--and the devastating cost--of giving in to one's passions. The Woman Upstairs is a masterly story of America today, of being a woman and of the exhilarations of love.
PUBLISHERS WEEKLY
The gifted Messud, writing her way through the ages, has now arrived at a woman in her 40s and it's not pretty. Nora Eldridge, a schoolteacher who dreams of being an artist, is angry, cynical, and quietly desperate. Then she meets the Shahid family: Sirena, Skandar, and Reza, a student in Nora's third-grade class at Appleton Elementary in Cambridge, Mass. When Sirena asks Nora to share an artists' studio, Nora falls in love with each exotic Shahid in turn: Sirena, for her artistic vision; Skandar, for his intellectual fervor; and Reza, because he's a perfectly beautiful child, bullied at school but magnanimous. In her previous books, Messud (The Emperor's Children) has set individuals against the weight of kin; here is an individual who believes she's found a vigorous self in the orbit of a dangerously charismatic family. But after freeing Nora from herself, the Shahids betray her, Sirena especially, cruelly exploiting a private moment of Nora's newfound joy with an intimate work of art Sirena shows in Paris without Nora's knowledge. As with other Messud characters, these too are hard to love; few would want to know the unpalatable Nora, so full of self-loathing, nor the self-important Shahids.
