This Brilliant Darkness
A Book of Strangers
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- $20.99
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- $20.99
Publisher Description
“A luminous, moving and visual record of fleeting moments of connection.” —New York Times Book Review, Editors’ Choice
A visionary work of radical empathy.
Known for immersion journalism that is more immersed than most people are willing to go, and for a prose style that is somehow both fierce and soulful, Jeff Sharlet dives deep into the darkness around us and awaiting us.
This work began when his father had a heart attack; two years later, Jeff, still in his forties, had a heart attack of his own. In the grip of writerly self-doubt, Jeff turned to images, taking snapshots and posting them on Instagram, writing short, true stories that bloomed into documentary. During those two years, he spent a lot of time on the road: meeting strangers working night shifts as he drove through the mountains to see his father; exploring the life and death of Charley Keunang, a once-aspiring actor shot by the police on LA’s Skid Row; documenting gay pride amidst the violent homophobia of Putin’s Russia; passing time with homeless teen addicts in Dublin; and accompanying a lonely woman, whose only friend was a houseplant, on shopping trips.
Early readers have called this book “incantatory,” the voice “prophetic,” in “James Agee’s tradition of looking at the reality of American lives.” Defined by insomnia and late-night driving and the companionship of other darkness-dwellers—night bakers and last-call drinkers, frightened people and frightening people, the homeless, the lost (or merely disoriented), and other people on the margins—This Brilliant Darkness erases the boundaries between author, subject, and reader to ask: how do people live with suffering?
PUBLISHERS WEEKLY
Lives lived in shadows and corners are lit up in these offbeat photo-journalistic essays. Journalist and Dartmouth writing professor Sharlet (The Family) roams several continents, snapping smartphone photos he posts on Instagram and talking to people: night-shift workers at a Dunkin Donuts in Vermont; a far-right gun fanatic in Schenectady, N.Y.; a Ugandan clergyman who's terrified of a witch's curse; brother-sister street-junkies in Dublin, Ireland. Most of the pieces are short, evanescent essays, but Sharlet includes longer pieces, including a profile of a homeless African immigrant on L.A.'s Skid Row who was shot to death, unarmed, by police, and a sketch of a mentally fragile New England woman struggling to control her life, her only friend a potted plant named Bandit. Sharlet's haunting photos accompany clipped, pointilist, but expressive prose that evokes character and tragedy: a New Hampshire arsonist "told the police (there were things he wanted them to know) that he used the flag to burn the church, that he tried to burn the children, that he did what he did and, if they let him go, would do more because he was angry with God." The result is a triumph of visual and written storytelling, both evocative and moving.