Two Billion Eyes
The Story of China Central Television
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- $15.99
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- $15.99
Publisher Description
"The definitive work on Chinese television . . . A pioneering picture of CCTV and its crucial role in the contemporary Chinese political economy" (Robert W. McChesney, author of Corporate Media and the Threat to Democracy).
As China navigates the murky waters of a "third way" with liberal economic policies under a strict political regime, the surprising battleground for China's future emerges in the country's highest rated television network—China Central Television, or CCTV.
With 16 internationally broadcast channels and over 1.2 billion viewers, CCTV is a powerhouse in conveying Chinese news and entertainment. The hybrid nature of the network has also transformed it into an unexpected site of discourse in a country that has little official space for negotiation. While CCTV programming is state sponsored—and censored—the popularity and profit of the station are determined by the people. And as the Chinese Communist Party seeks to exert its own voice on domestic and international affairs, the prospect of finding an amenable audience becomes increasingly paramount.
Through a series of interviews with a fascinating cast of power players including a director of a special topic program that incited the 1989 student movement, current and past presidents of CCTV, and producers at the frontline of the network's rapidly evolving role in Chinese culture, celebrated media analyst Ying Zhu unlocks a doorway to political power that has long been shrouded in mystery.
"An indispensable guide to the Chinese media landscape." —The New Inquiry
"Up until Two Billion Eyes, the view of Chinese media has often been limited . . . Ying Zhu expands the periphery of our vision." —Los Angeles Review of Books
PUBLISHERS WEEKLY
Though it has become one of the most watched news networks in the world, China Central Television has largely escaped the notice of media commentators in the West. Chinese media specialist Ying offers the first book-length treatment of the subject in English, revealing an organization that, far from being just a dreary organ of propaganda, is vibrant and innovative, as well as internally divided and conflicted by the pressures of practicing journalism under authoritarianism. Utilizing far-ranging, candid interviews with many of the network's leaders, staffers, and anchors, Ying shows how despite CCTV's monopoly status, it is increasingly shaped by market forces. CCTV employees must balance their mission to deliver reliable and accurate coverage, their status as "mouthpiece of the state," and their mandate to generate ad revenue. Yang Rui, the ultranationalist talk show host and star of CCTV's English-language station, provides an object lesson in the business's inherent tensions both defending official censorship as serving the national interest and criticizing CCTV's younger generation of employees as strivers unconcerned with journalistic ethics. Those unfamiliar with Chinese television may find the lengthy profiles of media personalities and programming snapshots to be tiresome, but Ying's cogent analysis and penetrating insight are invaluable for anyone trying to understand the political and social reality of the world's most populous country.