Ugly Beauty
Helena Rubinstein, L'Oreal and the Blemished History of Looking Good
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5.0 • 1 Rating
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- $8.99
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- $8.99
Publisher Description
Thanks to a combination of business savvy, breathtaking chutzpah, and lucky timing, Helena Rubinstein managed to transform herself from a poor Polish emigrant to the world's first self-made female tycoon. She went from selling homemade "Crème Valaze" out of her house in Australia to becoming an international cosmetics magnate. Tiny and plump, wearing extravagant jewels and spiked heels, she was a fixture of upper-crust New York for many years. She was larger than life, and never took no for an answer: when she was refused from a New York City apartment on the grounds that she was Jewish, she went ahead and bought the whole building and promptly moved in.
The story of Eugène Schueller and L'Oréal begins in 1907, in a dingy working-class part of Paris, where a young Schueller sat at his family's kitchen table trying to develop the first harmless artificial hair dye. The tale of how L'Oréal went from that point to the world's largest cosmetics company is fascinating and full of intrigue, with a little of everything: fascist assassins, bitter unmaskings, political scandals. In 1988, although Schueller and Rubinstein had long since passed away, their worlds collided when L'Oréal bought Rubinstein's company — leading to a series of scandals that threw a new and sinister light on L'Oréal. For starters, Rubinstein was Jewish, but Schueller and many other top L'Oréal executives had been active Nazi collaborators. What came to light threatened the reputations of some of France's most powerful men - up to and including its president.
This is a powerful, dramatic, and largely untold story about the ugly truth behind a beauty empire.
PUBLISHERS WEEKLY
With wonderful attention to detail and real affection for her subjects, Brandon tells the story of Helena Rubinstein (1870 1965), a Polish Jew from a poor family with a small salon in Australia, who became the first woman tycoon and self-made millionaire. Her timing was excellent: she struck at the moment when decent women, for the first time, were allowing themselves makeup and were willing to shop for it publicly. At the same time, a young French chemist named Eug ne Schueller (1881 1957) was making his name in hair dyes (and later collaborating with the Nazis); it was his company, L'Oreal, that swallowed Rubinstein's business. The descriptions of Schueller's political scandals are fascinating, but the story shines when Brandon returns to Rubinstein, a stubborn, spirited woman who responded to a luxury Park Avenue apartment's "No Jews" policy by buying the entire building, and who calmly thwarted robbers in her home at the age of 91. A clearheaded discussion of current beauty standards, vanity, and the gender politics of the modern cosmetic industry rounds out this lively history of the founding of the beauty business as we know it.