Venetian Life

pubOne.info thank you for your continued support and wish to present you this new edition. One night at the little theatre in Padua, the ticket-seller gave us the stage-box (of which he made a great merit), and so we saw the play and the byplay. The prompter, as noted from our point of view, bore a chief part in the drama (as indeed the prompter always does in the Italian theatre), and the scene-shifters appeared as prominent characters. We could not help seeing the virtuous wife, when hotly pursued by the villain of the piece, pause calmly in the wings, before rushing, all tears and desperation, upon the stage; and we were dismayed to behold the injured husband and his abandoned foe playfully scuffling behind the scenes. All the shabbiness of the theatre was perfectly apparent to us; we saw the grossness of the painting and the unreality of the properties. And yet I cannot say that the play lost one whit of its charm for me, or that the working of the machinery and its inevitable clumsiness disturbed my enjoyment in the least. There was so much truth and beauty in the playing, that I did not care for the sham of the ropes and gilding, and presently ceased to take any note of them