Villa Coco
A Novel
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- Pre-Order
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- Expected Jun 9, 2026
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- $16.99
Publisher Description
Pulitzer Prize winner Andrew Sean Greer ("A great chronicler of our times." —San Francisco Chronicle) showcases his wit, sophistication and deep knowledge of focaccia in this magical and madcap tale of a young man who takes an unspecified job with a charismatic elderly baronessa at her crumbling villa in the Tuscan hills.
Heartsore, broke and directionless, our young man (the chosen moniker of Villa Coco's narrator) takes a job in the Italian countryside as the all-purpose assistant (technically, the employment ad asked for "adjutant") to Lisabetta, known to her friends as Coco, a strong-willed, wealthy widow of great local renown. Technically, our young man is an archivist, charged with cataloguing Coco’s extensive and eclectic collection of art and artifacts, but what are his actual duties? He is charged with ridding the house of a marten, whatever that is, locating the antediluvian septic system, entertaining an endless carousel of guests (from bohemian painters to elderly princesses to handsome nephews), attending a funeral in order to make off with the urn and not inadvertently sabotaging Coco's great and final plan—to locate the lost love of her life and be reunited before it’s too late.
Told with the signature wit, insight and deeply felt humanity that made Less an international phenomenon, Villa Coco is a dazzling, sun-soaked ode to life itself—a romp through a youthfully self-constructed emotional obstacle course, a meditation on what we give and take from others and a bawdy Mediterranean ballad about becoming who you’ve always wanted to be.
PUBLISHERS WEEKLY
This charming tale of an innocent abroad from Pulitzer winner Greer (Less) doubles as a love letter to Italy. The narrator, Geoffrey, a 21-year-old American college student, lands a job as an archivist for an eccentric Baronessa in Tuscany. Arriving in the fall after his graduation, he's immediately swept into the magical if unsettling world of his 92-year-old employer. To Geoffrey, the villa "look both like the British Museum and like a child's bedroom, filled with beloved trash and treasures." Soon, the Baronessa has him doing everything but cataloging the villa's contents. Ten hours a day he trims the rose bushes; searches for books and magazines; makes appointments with doctors, masseurs, and veterinarians; and listens to the Baronessa's endless fantastical tales. Everyone in her life has a story, the young man learns: "They lived in a sealed world of comic-strip logic, and within that world, all schemes ended as happily as a monkey's life in Zanzibar." As the months pass, Geoffrey absorbs Italian culture, breaks his vow to avoid romantic entanglements, and faces some tough choices for his future. Throughout, Greer breathes life into the Baronessa and her world and captures its appeal to Geoffrey, fashioning the novel into a box of treasures. This light and airy bildungsroman is great fun.