When We Were Romans
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- $13.99
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- $13.99
Publisher Description
From the acclaimed author of 26a, comes a dazzling new novel about the fight to achieve one’s dream, and an unsolved disappearance at the heart of a family.
As a child Lucas assumed that all children who’d lost their parents lived on water. Now a restless young man, and still sharing the West London narrowboat with his sister Denise, he secretly investigates the contents of an old wardrobe, in which he finds relics from the Midnight Ballet, an influential black dance company of the 1960s founded by his Jamaican father, the charismatic Antoney Matheus.
In his search to unravel the legacy of the Midnight Ballet, Lucas hears of hot-house rehearsals in an abandoned Notting Hill church, of artistic battles and personal betrayals, and a whirlwind European tour. Most importantly, Lucas learns about his parents’ passionate and tumultuous relationship and of the events that led to his father’s final disappearance.
Vividly conjuring the world of 1950s Kingston, Jamaica, the Blues parties and early carnivals of Ladbroke Grove, the flower stalls and vinyl riflers of modern-day Portobello Road, and the famous leap and fall of Russian dancer Vaslav Nijinsky, Diana Evans creates a haunting and visceral family mystery about absence and inheritance, the battle between love and creativity, and what drives a young man to take flight…
PUBLISHERS WEEKLY
Kneale, who won the Whitbread for English Passengers (2000), returns with a tale narrated by fiery, precocious, pitch-perfect Lawrence, who at nine years old struggles with being at once a normal kid and, with his parents' estrangement, the man of the house. Living with his baby sister Jemima, and his mother, Hannah, in a cottage by a wood, Lawrence and Co. are menaced by their father, "Mikie," who seems to come down from Scotland at will to stalk them. At her wits end, Hannah packs the family into the car and heads (through the Channel Tunnel) for Rome, where she had lived in early adulthood and where, it soon becomes clear, she still has a lot of friends. Bewildered but brave Lawrence wonderfully describes the people they encounter: as he attempts to figure out who is an "enimy" and who a friend, he muses on deep space and gladiatorial Roman history ("Nero was so pleased, he thought 'hurrah, I really am a good singer' "). As small incongruities pile up between what Lawrence sees and how he interprets what happens to him, the family's hurtlings across Europe and the city take on a shattered poignancy.