Wolves Eat Dogs
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3.0 • 1 Rating
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- $14.99
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- $14.99
Publisher Description
A Moscow detective is sent to Chernobyl for a frightening case in the most spectacular entry yet in Martin Cruz Smith’s Arkady Renko series.
In his groundbreaking Gorky Park, Martin Cruz Smith created an iconic detective of contemporary fiction. Quietly subversive, brilliantly analytical, and haunted by melancholy, Arkady Renko survived, barely, the journey from the Soviet Union to the New Russia, only to find his transformed nation just as obsessed with corruption and brutality as was the old Communist dictatorship.
In Wolves Eat Dogs, Renko returns for his most enigmatic and baffling case yet: the death of one of Russia’s new billionaires, which leads him to Chernobyl and the Zone of Exclusion—closed to the world since 1986’s nuclear disaster. It is still aglow with radioactivity, now inhabited only by the militia, shady scavengers, a few reckless scientists, and some elderly peasants who refuse to relocate. Renko’s journey to this ghostly netherworld, the crimes he uncovers there, and the secrets they reveal about the New Russia make for an unforgettable adventure.
PUBLISHERS WEEKLY
Tenacious Senior Investigator Arkady Renko is on another tough case, and this time even the air is dangerous. He is a man of few words and little nonsense, whose vulnerable heart and dogged temerity are his weaknesses. Smith's old-school Soviet detective, introduced in 1981's Gorky Park, isn't one to let a trail go cold. After being called off a suspicious suicide case, he is sent to the "Zone of Exclusion" (the site of the Chernobyl nuclear accident) to investigate a tangential case. The Zone, where Renko's dosimeter constantly ticks at the amount of deadly radiation that pollutes everything, is occupied by scientists, eccentrics and old folks who have crept back into the ghost towns to live outside society. McLarty's naturally husky voice is well suited to the surly-yet-soft Renko, and his straightforward reading is fittingly raw for a tale where a shroud of bleakness taints even love affairs. With a voice like a keyed-down Don La Fontaine (the ubiquitous voiceover artist famous for the line, "In a world beyond imagination..."), McLarty's hearty, slightly raspy bass strikes an appropriate tone for the dangerous netherworld of post-Soviet Russia. His subtle variances and accents are practically unnoticeable, which is as it should be. Simultaneous release with the S&S hardcover. (Forecasts, Sept. 6, 2004).
