Writing to Save a Life
The Louis Till File
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- $19.99
Publisher Description
A major literary figure tells “a searching tale of loss, recovery, and déja vu that is part memoir and what-if speculation, part polemic and exposé” (The Washington Post) about two generations of one family—civil rights martyr Emmett Till and his father, Louis—shortlisted for the National Book Critics Circle Award.
Emmett Till took a train from his home in Chicago to visit family in Money, Mississippi; a few weeks later he returned home dead. Murdered because he was a colored boy and had, allegedly, whistled at a white woman. His mother, Mamie Till, chose to display her son’s brutalized face in a glass-topped casket, “so the world can see what they did to my baby.”
Emmett Till’s murder and his mother’s refusal to allow his story to be forgotten have become American legends. But one darkly significant twist in the Till legend is rarely mentioned: Louis Till, Emmett’s father, Mamie’s husband, a soldier during World War II, was executed in Italy for committing rape and murder.
In 1955, when he and Emmett were each only fourteen years old, Wideman saw a horrific photograph of dead Emmett’s battered face. Decades later, upon discovering that Louis Till had been court-martialed and hanged, he was impelled to investigate the tragically intertwined fates of father and son. Writing to Save a Life is “part exploration and part meditation, a searching account of [Wideman’s] attempt to learn more about the short life of Louis Till” (The New York Times Book Review) and shine light on the truths that have remained in darkness.
Wideman, the author of the award-winning Brothers and Keepers, “is a master of quiet meditation…and his book is remarkable for its insight and power” (SFGate). An amalgam of research, memoir, and imagination, Writing to Save a Life is essential and “impressive” (Pittsburgh Post-Gazette) reading—an engaging, enlightening conversation between generations, the living and the dead, fathers and sons.
PUBLISHERS WEEKLY
Of 96 servicemen executed by the U.S. military during World War II, 83 were African-American one of whom was Louis Till, hanged on July 2, 1945, for rape and murder. He was the father of 14-year-old Emmett Till, who was brutally murdered in 1955. Louis's confidential military service record was made available to serve the defense of Emmett's murderers. In establishing the junction between these two deaths, Wideman (Brothers and Keepers) employs a montage of multiple narrative voices, some first person, some through an omniscient author; "I assume," he writes, "the risk of allowing my fiction to enter people's true stories." Loosely moored by his diligent pursuit of relevant documents, his reportage and recollection alternate and merge with hypothetical encounters with Emmett's mother and Wideman's own father, an account of a family Thanksgiving dinner, excerpts of trial records, memories of Wideman's first girlfriend, and mentions of Wideman's son, who is imprisoned for murder. An overriding theme connects it all: the way that America's criminal justice system historically and currently harms African-Americans. "Whether or not Till breaks the law," Wideman argues, "his existence is viewed by the law as a problem." Wideman's experimental narrative ultimately leaves the reader adrift, though aware that a valuable record is buried in there somewhere.
