"No one makes me laugh harder than Judy Gold. If I had to pick one comedian to write a book about free speech, it would be Judy." – Amy Schumer
From award-winning comedian Judy Gold, a concise, funny, and thoughtful polemic on the current assault on comedy, that explores how it is undermining free speech and a fundamental attack against the integrity of the art.
From Mae West and Lenny Bruce to Richard Pryor and Howard Stern to Kathy Griffith and Kevin Hart, comedians have long been under fire for using provocative, often taboo subjects to challenge mores and get a laugh. But in the age of social media, comedians are at greater risk of being silenced, enduring shaming, threats, and damaged careers because of angry, censorious electronic mobs.
But while comedians’ work has often been used to rile up detractors, a new threat has emerged from the left: identity politics and notions like "safetyism" and trigger warnings that are now creating a cultural and political standard that runs perilously close to censorship. From college campuses to the Oscars, comics are being censured for old jokes, long-standing comedy traditions, unfinished bits and old material that instead of being forgotten, go viral.
For comics like Judy Gold, today’s attacks on comics would have Richard Pryor and Lenny Bruce "rolling in their graves." "No one has the right to tell comics what they can or cannot joke about. Do you tell artists what they can or cannot paint?" she asks. Freedom of speech is fundamental for great stand-up comedy. Humor is the most palatable way to discuss a subversive or taboo topic, but it better be funny. A comic's observations are deliberately delivered to entertain, provoke, and lead to an exchange of ideas. "We are truth tellers." More important, the tolerance of free speech is essential for a healthy democracy.
In addition to offering readers a quick study on the history of comedy and the arts (noting such historical reference points as The Hays Code) and the threats to them, Gold takes readers on a hilarious ride with chapters such as "Thank God Don Rickles is Dead," as well as her singular take on "micro-aggressions," such as:
Person: "OMG! You’re a lesbian? I had no idea. I mean you wear make-up. When did you become a lesbian?"
Judy Gold: "Coincidently, right after I met you!" (micro-assault!)
In this era of "fake news," partisan politics, and heated rhetoric, the need to protect free speech has never been greater, especially for comics, who often serve as the canaries in the coalmine, monitoring the health of our democracy. Yes I Can Say That is a funny and provocative look at how safe spaces are the very antithesis of comedy as an art form—and an urgent call to arms to protect our most fundamental Constitutional right. There's a good reason it was the FIRST amendment.
Comedian Gold addresses censorship, freedom of speech, and telling jokes in the social media age in this amusing, f-bomb filled book. The author has a clear message for those engaged in cancel culture: "stop taking yourself so seriously." Gold a six-foot-two Jewish lesbian from New Jersey writes about being bullied as a kid in the 1970s, an experience that sharpened her sense of humor, then discusses comedy today, during a time of heightened sensitivity in which she argues the "so-called progressive left" is silencing comedians: "people have begun to allow themselves to get triggered any time a marginalized person or group is even mentioned in a comedy bit." Gold highlights comedians who fought against censors (George Carlin, Richard Pryor) and entertainingly honors "brash, outspoken" female comics such as Jean Carroll and Joan Rivers, who spoke candidly about motherhood and marriage in their comedy. Gold knocks Trump ("People like Trump take jokes about themselves as attacks") and tells people to avoid "knee-jerk" responses on social media: "Stop reacting to every ping on your phone. Read a fucking book." Gold's defense of comedy, filled with great jokes and stories of censored comics, is a reminder that freedom of speech is no laughing matter.