A Man In Full

PUBLISHERS WEEKLY 2. NOV. 1998

However the National Book Award judges managed to get hold of Wolfe's much-delayed second novel in time to give it their nod as an NBA finalist, they were quite right to do so. It's a dazzling performance, offering a panoramic vision of America at the end of the 20th century that ranges with deceptive ease over our economic, political and racial hang-ups and at the same time maintains a brisk narrative pace that makes the huge book seem only a quarter of its real length. Balzac had the same gift. The "man in full" of the title (the phrase comes from an old song) is Charlie Croker, a good-ole-boy real-estate developer in Atlanta whose sprawling South Georgia plantation, massive mansion in the best part of town, half-empty skyscraper tower named after himself, horde of servants, fleet of jets and free-spending trophy second wife have left him terribly vulnerable to bankers deciding the party's over. As a former football star, however, the suggestion is put to him that there is something he can do to ease his situation. A black Georgia Tech player clearly headed for greatness may have raped the daughter of one of Charlie's old business buddies. If Charlie can help the city's ambitious black mayor maintain calm, the bank just might be persuaded to ease up on him. Three thousand miles away in California, Conrad Hensley, an idealistic young worker at a warehouse run by one of Charlie's subsidiary companies, fired in an offhand downsizing designed to placate the bank, runs afoul of the law in a farcical parking hassle and is thrown in jail. There, in fear of his life, Conrad absorbs Stoic philosophy from a book his wife has sent him, and, aided by a timely earthquake (sent by Zeus?), begins to turn his life around until the day, in exile in Atlanta, he encounters Charlie. These parallel plot lines, examining with microscopic precision the obsessions, preoccupations, habits and lingo of life at the top and bottom of American society, are both compelling in themselves and resonant with a sense of the vast mystery and comedy of contemporary life in this amazing country. Wolfe is as adept at scenes painted with high satirical glee (Charlie on a quail hunt, or introducing shrinking business guests to an all-out stud performance by a prize racehorse) as he is with horror and pity (his picture of life for Conrad in his California jail is almost unbearably intense). Despite the very occasional longeurs (readers learns more Atlanta geography than they may care to) and writerly tics (Wolfe still can't resist onomatopoetic outbursts), the novel is a major advance on The Bonfire of the Vanities in its range, power and compassion, while retaining all of that book's breathless contemporaneity and readability. 1.2 million firt printing; simultanneous audio from BDD..