And Only to Deceive
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Beschreibung des Verlags
From New York Times bestselling author Tasha Alexander comes a stunning novel of historical suspense set in Victorian England, meticulously researched and with a twisty plot that involves stolen antiquities, betrayal, and murder
Lady Emily's first mystery . . .
For Emily, accepting the proposal of Philip, the Viscount Ashton, was just an easy way to escape her stifling home life and overbearing mother. So when her new husband dies on safari soon after the wedding, she feels little grief. After all, she barely knew the man.
Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly. His journals reveal him to have been a gentleman scholar and antiquities collector who, to her surprise, was deeply in love with his wife. Emily becomes fascinated with this new image of her dead husband and immerses herself in his intellectual pursuits, studying Greek and spending time in the quiet corridors of the British Museum.
But there, amid priceless ancient statues, she uncovers a dark, dangerous secret involving stolen artifacts from the Greco-Roman galleries - and as she sets out to solve the crime she discovers even more surprises about the husband she never knew . . .
Praise for Tasha Alexander
'This engaging, witty mix of Victorian cozy and suspense thriller draws its dramatic spark from the endearingly headstrong heroine's growth in life and love. A memorable debut' Booklist
'Enchanting... Alexander keeps readers guessing until the very end' Publishers Weekly
'Tasha Alexander is one to watch - and read... despite her cliffhanger climaxes and witty repartee, there's a depth of sensitivity that sets her apart' The Huffington Post
'Fans of Anne Perry and Elizabeth Peters will welcome this debut novel' The Denver Post
PUBLISHERS WEEKLY
In this charming late Victorian romantic suspense novel, Emily, a young and beautiful widow, regrets her husband's African hunting expedition death less than is proper. The late Philip, Viscount Ashton, had a passion for classical antiquity, and Emily, in an attempt to get to know her husband postmortem, uses her newfound independence in London to study it. In the process, she forms a friendship with Cecile du Lac, a Parisian of a certain age, and realizes that there was more to Philip than she realized including his genuine passion and love for her. The charming Colin Hargreaves may have been involved with Philip in art forgeries, and Andrew Palmer proposes to Emily and then offers evidence that Philip is still alive. By this time, Emily and Cecile are a well-practiced team of amateur sleuths: Phillip's secrets begin to emerge, and travel to Greece provides the possibilities of a new life. Alexander makes Emily light but sympathetic, and conveys period flavor without being ponderous. Her knowledge of the ethical dilemmas posed by Victorian etiquette is considerable; sexual chemistry in particular is handled with exquisite delicacy. The archeological background will lure readers who like to dig for their clues.
