Apropos of Nothing

    • 3.0 • 2 Bewertungen
    • CHF 14.00
    • CHF 14.00

Beschreibung des Verlags

The Long-Awaited, Enormously Entertaining Memoir by One of the Great Artists of Our Time—Now a New York TimesUSA Today,
Los Angeles Times
, and Publisher’s Weekly
Bestseller.
 
In this candid and often hilarious memoir, the celebrated director, comedian, writer, and actor offers a comprehensive, personal look at his tumultuous life. Beginning with his Brooklyn childhood and his stint as a writer for the Sid Caesar variety show in the early days of television, working alongside comedy greats, Allen tells of his difficult early days doing standup before he achieved recognition and success. With his unique storytelling pizzazz, he recounts his departure into moviemaking, with such slapstick comedies as Take the Money and Run, and revisits his entire, sixty-year-long, and enormously productive career as a writer and director, from his classics Annie Hall, Manhattan, and Annie and Her Sisters to his most recent films, including Midnight in Paris. Along the way, he discusses his marriages, his romances and famous friendships, his jazz playing, and his books and plays. We learn about his demons, his mistakes, his successes, and those he loved, worked with, and learned from in equal measure.
 
This is a hugely entertaining, deeply honest, rich and brilliant self-portrait of a celebrated artist who is ranked among the greatest filmmakers of our time. 
 

GENRE
Biografien und Memoiren
ERSCHIENEN
2020
23. März
SPRACHE
EN
Englisch
UMFANG
400
Seiten
VERLAG
Arcade
GRÖSSE
1.4
 MB

Kundenrezensionen

ppeckert ,

Disapointing

I‘m actually a big Woody Allen fan and maybe expected too much. This autobiography though often comes close to verbal incontinence with one liners, some good, some not so good, dispersed haphazardly along the text. Furthermore, the endless litany of all the people Allen has worked and interacted with in his private and professional life isn‘t of any help in grasping who Allen really is or might be, nor does it make for fluid reading. In a nutshell the author comes across, in my opinion, as somebody hiding behind his own huge smoke screen.

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