Beautiful Ugly
A Novel
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3,0 • 2 valutazioni
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- CHF 12.00
Descrizione dell’editore
INSTANT NEW YORK TIMES BESTSELLER
“Her best book yet.” —Harlan Coben
The million-copy bestselling Queen of Twists Alice Feeney returns with a gripping and deliciously dark thriller about marriage. . .
. . . and revenge.
Author Grady Green is having the worst best day of his life.
Grady calls his wife to share some exciting news as she is driving home. He hears Abby slam on the brakes, get out of the car, then nothing. When he eventually finds her car by the cliff edge the headlights are on, the driver door is open, her phone is still there. . . but his wife has disappeared.
A year later, Grady is still overcome with grief and desperate to know what happened to Abby. He can’t sleep, and he can’t write, so he travels to a tiny Scottish island to try to get his life back on track. Then he sees the impossible – a woman who looks exactly like his missing wife.
Wives think their husbands will change but they don’t.
Husbands think their wives won’t change but they do.
“Magnetic and jaw-dropping.” —Mary Kubica, bestselling author
"Unforgettable." —Chris Whitaker, bestselling author
PUBLISHERS WEEKLY
Feeney (Good Bad Girl) stumbles with this hackneyed tale of a grieving mystery author who seeks solace on a remote Scottish island. A year after bestseller Grady Green's wife, Abby, disappears, his life hits the skids—he hardly sleeps, he's late on delivering his new novel, and his financial troubles force him to move into "the worst hotel in London." Salvation comes via Grady's agent, Kitty, who offers him the use of her deceased client's cabin on the secluded Isle of Amberley. On the ferry over, Grady thinks he sees Abby; soon, his hallucinations worsen, and he grows wary of the frosty locals. With zero cell service, no car, and a variety of macabre surprises waiting in his cabin, it takes Grady a while to notice Amberley's conspicuous absence of birds—and men. Feeney assembles her plot from familiar parts: elements of The Wicker Man, Gone Girl, and Shutter Island jostle for space among flat descriptions ("The house... is enormous, by far the biggest I've seen on the island. It should have been called the Big House on the Hill") and flatter characters. Worse, her trademark twists are more far-fetched than ever. It's a letdown. Agents: Kari Stuart, CAA, and Johnny Gellar, Curtis Brown U.K.
