Beneath the American Renaissance
The Subversive Imagination in the Age of Emerson and Melville
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Descrizione dell’editore
The award-winning Beneath the American Renaissance is a classic work on American literature. It immeasurably broadens our knowledge of our most important literary period, as first identified by F.O. Matthiessen's American Renaissance. With its combination of sharp critical insight, engaging observation, and narrative drive, it represents the kind of masterful cultural history for which David Reynolds is known. Here the major works of Emerson, Thoreau, Whitman, Poe, Hawthorne, Melville, and Dickinson receive striking, original readings set against the rich backdrop of contemporary popular writing. Now back in print, the volume includes a new foreword by historian Sean Wilentz that reveals the book's impact and influence. A magisterial work of criticism and cultural history, Beneath the American Renaissance will fascinate anyone interested in the genesis of America's most significant literary epoch and the iconic figures who defined it.
PUBLISHERS WEEKLY
Poe's portraits of psychopathic murderers, Melville's studies of incest and deceit, Whitman's hymns to sexual passion and Hawthorne's allegories of social outcasts had roots in the popular writings of their daypenny newspapers, crime pamphlets, erotic fiction, sensational novels, Oriental and visionary tales. In a massive, dense study, Reynolds, who teaches at Rutgers, shows that 19th century American writers were not isolated elitists, as assumed. Emerson, for example, infused his essays with the color and imagery of torrid evangelical preaching; Emily Dickinson drew upon the "literature of misery,'' feminist ficiton which projected an embittered female self; Melville grafted such genres as mystery fiction, yellow novels and Yankee humor. Astonishing in its scope and wealth of new connections, this sweeping study is a landmark in the reevaluation of 19th century American literature. Illustrations not seen by PW.
