Confronting the Classics
Traditions, Adventures and Innovations
-
- CHF 7.50
-
- CHF 7.50
Beschreibung des Verlags
Mary Beard is one of the world's best-known classicists - a brilliant academic, with a rare gift for communicating with a wide audience both though her TV presenting and her books.
In a series of sparkling essays, she explores our rich classical heritage - from Greek drama to Roman jokes, introducing some larger-than-life characters of classical history, such as Alexander the Great, Nero and Boudicca. She invites you into the places where Greeks and Romans lived and died, from the palace at Knossos to Cleopatra's Alexandria - and reveals the often hidden world of slaves. She takes a fresh look at both scholarly controversies and popular interpretations of the ancient world, from The Golden Bough to Asterix.
The fruit of over thirty years in the world of classical scholarship, Confronting the Classics captures the world of antiquity and its modern significance with wit, verve and scholarly expertise.
PUBLISHERS WEEKLY
Offering up 30 years of pointed insights and inquisitions, Cambridge classics professor Beard (The Fires of Vesuvius) returns with a collection of primarily reprinted reviews of her classicist peers' work that somehow manages to touch on nearly every notable person, place, and event associated with the Ancient world. But for Beard, while the classics have always been a dialogue with the dead, "the dead do not include only those who went to their graves two thousand years ago." Rather, "the study of the Classics is the study of what happens in the gap between antiquity and ourselves." It's the back-and-forth sparring between betweeded Oxford dons, it's Picasso and Shakespeare, it's Ben-Hur and Gladiator it's anything that engages in or, as the wonderful title suggests, confronts that gilded and gargantuan Greco-Roman world. So, the chapter about King Minos's legendary palace is much more concerned with how and why Arthur Evans decided to elaborately, and disastrously, restore the site in the early 20th century. The discussion of Cleopatra turns around history's ever-changing, mostly guessing portrait, and ends with Beard finally advising that we just "stick with the Augustan myth and Horace's demented queen.' " And then there's her fascinating, gentle dig at the "obsessive, retiring Victorian academic" Charles Frazer. All in all, a smart, adventuresome read. Illus. & photos.
