Cosmopolis
Roman
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- CHF 11.00
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- CHF 11.00
Descrizione dell’editore
Don DeLillos Meisterwerk nun im Kino
Als »Cosmopolis« 2003 erschien, wurde der Roman international als literarisches Meisterwerk gefeiert, das DeLillos Rang als einer der wichtigsten Autoren der Welt abermals unterstrich. Heute wirkt DeLillos Roman im Angesicht der weltweiten Finanzkrise beinahe prophetisch und ist aktueller denn je. David Cronenberg hat »Cosmopolis« nun mit Robert Pattinson und Juliette Binoche verfilmt. Die Geschichte: Eric Packer, 28 Jahre alt, ist ein reicher, gewissenloser Börsenspekulant. Unterwegs in seiner Stretchlimousine zu einem Friseurtermin, führt ihn sein Weg über die 47. Straße quer durch Manhattan. Das Herz von New York steht an diesem Frühlingstag im April 2000 kurz vor dem totalen Kollaps. Der amerikanische Präsident ist in der Stadt, gewalttätige Globalisierungsgegner demonstrieren und ein Sufi-Rapper wird unter großer Anteilnahme seiner Anhänger zu Grabe getragen. Mitten durch dieses Chaos schleicht Packer mit seinen Sicherheitsbeamten, seiner Frau, seiner Liebhaberin und seinem Leibarzt im Schritttempo voran, ohne wirklich vorwärts zu kommen – und am Ende seiner 24-stündigen Odyssee durch Manhattan verliert er mehr, als er sich je hat vorstellen können.
»Schwindelerregend intelligent geschrieben, ein irritierendes Buch von großer diagnostischer Qualität« (Frankfurter Rundschau)
PUBLISHERS WEEKLY
A starred or boxed review indicates a book of outstanding quality. A review with a blue-tinted title indicates a book of exceptional importance that hasn't received a starred or boxed review.COSMOPOLISDon DeLillo. Scribner, $25 (224p) DeLillo skates through a day in the life of a brilliant and precocious New Economy billionaire in this monotone 13th novel, a study in big money and affectlessness. As one character remarks, 28-year-old Eric Packer "wants to be one civilization ahead of this one." But on an April day in the year 2000, Eric's fortune and life fall apart. The story tracks him as he traverses Manhattan in his stretch limo. His goal: a haircut at Anthony's, his father's old barber. But on this day his driver has to navigate a presidential visit, an attack by anarchists and a rapper's funeral. Meanwhile, the yen is mounting, destroying Eric's bet against it. The catastrophe liberates Eric's destructive instinct he shoots another character and increases his bet. Mostly, the action consists of sequences in the back of the limo (where he stages meetings with his doctor, various corporate officers and a New Economy guru) interrupted by various pit stops. He lunches with his wife of 22 days, Elise Shifrin. He has sex with two women, his art consultant and a bodyguard. He is hit in the face with a pie by a protester. He knows he is being stalked, and the novel stages a final convergence between the ex-tycoon and his stalker. DeLillo practically invented the predominant vernacular of the late '90s (the irony, the close reading of consumer goods, the mock complexity of technobabble) in White Noise, but he seems surprisingly disengaged here. His spotlighted New Economy icon, Eric, doesn't work, either as a genius financier (he is all about gadgetry, not exchange there's no love of the deal in his "frozen heart") or a thinker. The threats posed by the contingencies that he faces cannot lever him out of his recalcitrant one-dimensionality. DeLillo is surely an American master, but this time out, he is doodling.
