Edmund Spenser
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- CHF 53.00
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- CHF 53.00
Beschreibung des Verlags
This collection represents some of the best recent critical writing on Edmund Spenser, a major Renaissance English poet. The essays cover the whole of Spensers work, from early literary experiments such as The Shepeardes Calendar, to his unfinished crowning work,The Fairie Queene. The introduction provides an overview of critical responses to Spenser, setting his work and the debates which it has generated in their perspective contexts: new historicist, post-structural, psychoanalytic and feminist. His study also covers the critical responses of leading British, Irish and American scholars.
PUBLISHERS WEEKLY
The last biography of Edmund Spenser (1554 1599), author of The Faerie \tQueene, was issued in 1945. It is probable that no one will have to write another after this one from Hadfield (Shakespeare and Republicanism), a professor of English at the University of Sussex, who includes a whopping 2,500 endnotes in addition to 60-plus pages of bibliography as part of his record. Considering the skimpiness of documentary evidence, such levels of scholarship are impressive. The most visual of Elizabethan poets, Spenser is a highly stylized innovator whose ornate versification and influence have been left largely behind by modernist and postmodernist sensibilities. Hadfield, who previously has published on Spenser's crucial years in Ireland, makes a case for the centrality of Spenser's work while setting the record straight on his colonialist ambitions. Meticulous and slow to publish in an era in which life expectancy was only 35 years, and 10 years Shakespeare's senior, Spenser bent the course of English literature by establishing pentameter versification. Although marred slightly by a sprinkling of odd repetitions, even the most serious readers will learn more than they might imagine about a colorful, seminal era. Illus.
