Fallen Idols
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- CHF 9.00
Beschreibung des Verlags
Bestselling author J. F. Freedman has written an evocative family drama about three brothers investigating whether their father may have had a role in their mother's murder.
Prominent archaeologists Walt and Jocelyn Gaines had just completed the latest phase of excavation of a fabulous Mayan ruin when they were waylaid by bandits. In the skirmish, Jocelyn was fatally wounded. The couple's three sons, Clancy, Tom, and Will, are devastated, but the loss is compounded when their fathersuddenly cuts off all contact without explanation. Together, the trio attempt to reconstruct what happened, and discover their father living a life of surprising affluence with a mysterious young girlfriend. The brothers explore every corner of their parents' lives and eventually end up in Central America to confront their mother's killer. But just when they know enough to suspect the worst, they discover that the truth is actually much more complex than they could have imagined.
PUBLISHERS WEEKLY
Beyond lust, beyond vengeance, beyond murder lie the dark truths of retirement planning, all of them revealed in this flabby suspense novel by Freedman (Bird's-Eye View, etc.). When famed archeologist Walt Gaines ends up with unexplained wealth and a girlfriend half his age a year after his wife was killed on a Central American dig, his sons grow suspicious. Stolid yuppies that they are, they investigate by delving into Walt's asset portfolio, which they wheedle out of a succession of real estate agents, brokers and pension administrators in scenes that carry all the electricity of an appointment with a financial professional. The trail leads them to an illicit market for Mayan relics and the lair of a guerrilla chieftain, with nonviolent and inconsequential results, before the final revelation that readers will have seen coming a mile off. Freedman fills out the slack narrative with random, banal details ("he paid with his mileage-plus Visa card and put the Dodge Neon Hertz rental car on the same card"), a few solemn sex scenes and many lengthy exchanges of pop-psychology truisms ("We can't live in our grief forever, or it'll pull us under") with which Walt and his sons hash out their tepid sibling and Oedipal rivalries. Something might have been made of the Indiana Jonesish archeological noir premise, but Freedman's impoverished prose ("this was so unique a sighting that it had to have an incredible meaning to match its specialness") flattens the most exotic settings.
