Generation A
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Beschreibung des Verlags
In the near future bees are extinct - until five unconnected individuals, in different parts of the world, are stung. Immediately snatched up by ominous figures in hazmat suits, interrogated searately in neutral Ikea-like chambers, and then released as 15-minute-celebrities into a world driven almost entirely by the internet, these five unforgettable people endure a barrage of unusual and highly 21st-century circumstances. A charismatic scientist with dubious motives eventually brings the quintet together, and their shared experience unites them in a way they could never have imagined.
Generation A mirrors the structure of 1991's Generation X as it champions the act of reading and storytelling as one of the few defences we still have against the constant bombardment of the senses in a digital world. Like much of Coupland's writing, it occupies the perplexing hinterland between optimism about the future and everyday, apocalyptic paranoia, and is his most ambitious and entertaining novel to date.
PUBLISHERS WEEKLY
Coupland's thematic sequel to Generation X strives once more to explore and define the edges of group identity through a Decameron-style storytelling marathon. Taking place in a near-future in which bees have become inexplicably extinct, five young men and women become the subjects of fame and scientific curiosity when they're the first people in five years to suffer a sting. Zack, an Iowa farmer, is the first and is soon followed by Harj in Sri Lanka, Samantha in New Zealand, Diana in Canada and Julien, who resides in Paris but lives primarily in World of Warcraft. Captured by a clandestine organization headed by a man named Serge, the unlikely group is eventually moved to a remote island, where Serge compels them to recite stories. Always in the background are rumblings of the hyperaddictive drug Solon, which holds its users in a perpetual present. Coupland juggles some fascinating ideas, and the story circle holds equal parts humor and revelation, though the revolving crew of narrators particularly the women can be difficult to distinguish from one another. Despite its flaws, this book will interest readers in search of an intelligent look at pop and digital culture.
