Ghost Light
From the Sunday Times Bestselling author of Star of the Sea
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- CHF 10.00
Descrizione dell’editore
'A virtuoso display of literary talent...brimming with sympathy and skill' Irish Times
Dublin, 1907. A young actress begins an affair with a damaged older man, the leading playwright at the theatre where she works.
Outspoken and flirtatious, Molly Allgood is a Catholic girl from the slums of Dublin, dreaming of stardom in America. Her lover, John Synge, is a troubled genius, whose life is hampered by convention and by the austere and God-fearing mother with whom he lives. Their affair, sternly opposed by friends and family, is quarrelsome, affectionate, and tender.
Many years later, Molly, now a poverty-stricken old woman, makes her way through London's bomb-scarred city streets, alone but for a snowdrift of memories. Her once dazzling career has faded but her unquenchable passion for life has kept her afloat.
'Masterful in its management of re-imagined lives and the time they inhabit' Financial Times
PUBLISHERS WEEKLY
O'Connor (Redemption Falls) presents a turbulent love story loosely based on the relationship between Irish playwright John Synge and actress Molly Allgood. The story opens in post-WWII London, where Molly is a spinster with a fondness for drink, but through a series of reminiscences the reader learns that, in her youth, she was a promising actress out of the poorer quarters of Dublin. Working in a theater group that included her more talented older sister and W.B. Yeats, Molly soon develops an attraction to the significantly older playwright Synge. She is pugnacious and ambitious, he circumspect and introverted, but the two secretly fall in with one another, and over the course of years they struggle with the differences in their age, class, and religion, and with their respective temperaments and expectations. The voice of old, broken Molly is an impressive creation, and the narrative convincingly plunges the reader into a tumultuous and tender account of a tortured romance, though some of O'Connor's stylistic choices (notably abrupt tense and perspective shifts within Molly's head) impede narrative momentum and yield a reading experience that feels heavy and too hazy.
