I Am Behind You
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- CHF 4.00
Beschreibung des Verlags
A supernatural superthriller from the author of Let the Right One In
Molly wakes her mother to go to the toilet. The campsite is strangely blank. The toilet block has gone. Everything else has gone too. This is a place with no sun. No god.
Just four families remain. Each has done something to bring them here - each denies they deserve it. Until they see what's coming over the horizon, moving irrevocably towards them. Their worst mistake. Their darkest fear.
And for just one of them, their homecoming.
This gripping conceptual horror takes you deep into one of the most macabre and unique imaginations writing in the genre. On family, on children, Lindqvist writes in a way that tears the heart and twists the soul. I Am Behind You turns the world upside down and, disturbing, terrifying and shattering by turns, it will suck you in.
PUBLISHERS WEEKLY
Four families and their vacation caravans are somehow transported into a seemingly endless grassy meadow in Lindqvist's ambitious and frustrating novel of cosmic horror, the first of a projected trilogy. Their world now includes a bright sky, no sun, a lot of grass, three married couples of various degrees of happiness, two friends who are inching toward romance, two children, one cat, one dog, and whatever was in the caravans when they arrived. GPS maps show them in places they cannot possibly be, such as on roads that ceased to exist years ago. The radio works, but plays only songs written by Peter Himmelstrand, a real-life 1960s Swedish pop star. (In Sweden, the title of the novel is Himmelstrand.) Unsurprisingly, tensions in the group are high, especially since unpleasant, elderly Donald has a gun, and Molly, one of the children, is a budding psychopath. The characters, the group dynamics, and the unfolding mystery of what's going on and why are well-depicted and engrossing, but the ending peters out in a futile attempt to remain emotionally satisfying while still leaving most events unexplained. A future book may shed more light, but the first installment makes it difficult to maintain enough investment in the story to want more of it.
