IBID: A Life
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Beschreibung des Verlags
“A life by inference is better than no life at all.” Dunn pushes his propensity for quirky to the limit, creating a full-length novel entirely upon the margins of a fictitious biography of Jonathan Blashette, a three-legged circus performer-come-entrepreneur and humanitarian. When his editor loses the manuscript of this biography, he offers to publish the only text left: his footnotes. Dunn holds up a funhouse mirror to the pedestaled residents of the twentieth century and has a laugh at the expense of the events and luminaries of an era that perhaps took itself just a little too seriously.
About the Author: Born in Memphis, Tennessee, Mark Dunn is the author of five previous novels — including 'Ella Minnow Pea' and 'Ibid: A Life' — and more than thirty full-length plays. He is currently the playwright-in-residence with the New Jersey Repertory Company and the Community Theatre League in Williamsport, Pennsylvania. He lives in Albuquerque, NM.
PUBLISHERS WEEKLY
Chalk it up to a post-ironic age or a growing impatience with a certain precious experimentalism linked (possibly unfairly but permanently) to the McSweeney's crowd. The bloom is off the rose on certain types of literary exercise, in this case a novel composed entirely of footnotes to a lost biography of the fictitious Jonathan Blashette, a three-legged circus performer and later CEO of Dandy-de-odor-o Inc., a men's deodorant company. Reading Dunn's third novel is rather like being served a dinner consisting entirely of turkey necks: you're starving for the whole bird in this instance, the biography manuscript, supposedly lost in a soapy bath by Dunn's editor. The footnotes cover a life brimming with historical significance; not only does Blashette serve in WWI, he loses a stepson to WWII and rubs shoulders with, to name a handful, James Joyce, Greta Garbo, Nelson Rockefeller, Rudolph Valentino and Ray Kroc. While Dunn succeeds in affectionately and mischievously portraying history as a live, malleable and ever-developing construct enriched and expanded by its minor players, even the fictitious ones, his sometimes juvenile jokes e.g. one of his "sources," a collection of letters to a urologist, is subtitled Notes to a Pee Pee Doctor aren't very funny. And Dunn, like the class clown, can barely keep a straight face even when describing the casualties of war; he also kills off two important characters in freak accidents. The book reads as if Dunn had a brilliant time writing it, but readers may find the going tougher.
