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Beschreibung des Verlags
When two hopelessly mismatched people share a love for art, a passion for each other and a city like Paris, nothing is truly impossible...or is it?
Sasha is a traditionalist - now widowed, she knows she was married to the most wonderful man in the world.Liam is an artist, half-in and half-out of a marriage that his own impossibly impulsive behaviour has helped tear apart. But while Sasha has been methodically building her father's Parisian art gallery into an intercontinental success story, Liam has been growing into one of the most original and striking young painters of his time. So while the two are utterly unalike, the miracle of art brings them together.
Sasha tries to keep Liam hidden from her grown children and well-heeled clientele as she commutes between New York and Paris.Liam tries to bring out the wild streak that Sasha barely knows she has. Then a family tragedy suddenly alters Liam's life, forcing a choice and a sacrifice that neither one of them could have expected.Giving up now might just be the most impossible thing of all...
Sasha de Suvery Boardman, the 48-year-old heroine of Steel's latest romance, knew she had it all perfect marriage, two terrific grown kids, prestigious art galleries in Paris and New York, three luxury homes until her husband's fatal heart attack. Now brokenhearted, but still beautiful and chic, she buries herself in her gallery work, until son Xavier introduces her to bad-boy painter Liam Allison, a gorgeous, "wacky" 39-year-old who instantly " out the mother in her." So she offers him a gallery contract, thus igniting a "torrid affair" punctuated by endless arguments about their nine-year age difference, his severe allergy to all forms of authority and their incompatible "lifestyles and appearances" (including his strong aversion to wearing socks). Despite Steel's repeated assurances that Liam is actually "innocent and likable," his petulance and impulsiveness are seriously off-putting, and the tortured romance has an icky, near-incestuous quality that may make some readers cringe. Others may just be bored by the sketchy, meandering plot, the skimpy characterizations and the hyperbolic, often stunningly repetitious style ("He was just a young man who liked to have fun and still acted like a boy at times, full of mischief and fun"). Even hardcore Steel addicts may not make it all the way through this one, her 63rd.