My Song
A Memoir of Art, Race & Defiance
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- CHF 13.00
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- CHF 13.00
Beschreibung des Verlags
Written with Vanity Fair contributing editor Michael Schnayerson, My Song is an inspiring story of performance and protest, from a superstar singer and actor who was on the front lines of practically every progressive political battle in modern memory.Along the way, he befriended some of the most influential figures of the 20th century, from pals he met in acting class (Tony Curtis, Marlon Brando, Sidney Poitier, Walter Matthau) to Martin Luther King, the Kennedys, Eleanor Roosevelt, Fidel Castro, James Baldwin, Bob Dylan and Nelson Mandela.From his impoverished childhood in Harlem and Jamaica, through his meteoric rise as an international calypso star, provocative crossover into Hollywood where he broke down many racial barriers, passionate lifelong involvement in the civil rights movement and myriad other social causes, to his personal struggles and rich friendships, this is a remarkable, multifaceted and hugely inspirational story by 'a man whose story should be told for generations to come' (Robert Redford).
PUBLISHERS WEEKLY
Belafonte, actor and activist, whose voice is known to millions for his opening line, "Day-O!" to "The Banana Boat Song," stepped out of a life of poverty and up to a microphone in the late 1940s, launching a brilliant career as a singer, actor, and activist. With lyrical grace, he chronicles his life from early childhood where a violent father made life difficult for him, his brother, and his mother and his first singing engagements, to the difficulties in his own marriages, the grueling life on the show circuit, and his later involvement in the civil rights movement and other social causes. After his hitch in the service, he enrolls in acting lessons with the American Negro Theater, where he meets his life-long friend, Sidney Poitier, and numerous other influential black actors. On a cold January night in 1949, the owner of the Royal Roost night club in New York asks Belafonte to sing a few numbers during intermission for Lester Young's band; astonished and anxious, the young singer steps onto the stage and finds himself backed by Max Roach, Charlie Parker, Al Haig, and Tommy Potter, four of jazz's greatest musicians, and his musical career takes off. These musicians' generosity instill the same compassion in him, and his encounter with great concert singer, athlete, and actor Paul Robeson teaches him that he can use his music and his concerts as pulpits for important causes. Belafonte sometimes exhausts with too many details, but he mostly carries us liltingly along with his song that the best times always lie ahead as long as we take care of each other.
