Of Tangible Ghosts
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- CHF 12.00
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- CHF 12.00
Beschreibung des Verlags
Bestselling author L. E. Modesitt, Jr. begins his Ghost Books series with Of Tangible Ghosts in a strange alternate reality where ghosts are no longer mere superstition, but physical realities.
When two real ghosts and the records of a murdered researcher enter the life of Johan Eschbach, the former spy and present professor finds himself caught with the secret of high-technology de-ghosting, and the whole world, including his former spymasters, try to turn Johan himself into another ghost.
The Ghost Books
#1 Of Tangible Ghosts
#2 The Ghost of the Revelator
#3 Ghost of the White Nights
#1-2 Ghosts of Columbia
Other Series by L.E. Modesitt, Jr.
The Saga of Recluce
The Imager Portfolio
The Corean Chronicles
The Spellsong Cycle
The Ghost Books
The Ecolitan Matter
The Forever Hero
Timegod's World
Other Books
The Green Progression
Hammer of Darkness
The Parafaith War
Adiamante
Gravity Dreams
The Octagonal Raven
Archform: Beauty
The Ethos Effect
Flash
The Eternity Artifact
The Elysium Commission
Viewpoints Critical
Haze
Empress of Eternity
The One-Eyed Man
Solar Express
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
PUBLISHERS WEEKLY
Modesitt's writerly tics, so obtrusive in his Recluce fantasy series (The Magic Engineer), seem less annoying than usual in this routine SF novel set in an alternative universe in which the Dutch, not the British, controlled the American colonies. Narrator Johan Eschbach's preachy tone makes the author's frequent infodumps more palatable than in other works, for example, though no less arrhythmic. While Eschbach, a college professor, pads the narrative with his lectures and the presentation of his academic life, his former profession as a government operative comes directly into play as he uncovers a conspiracy. In this world, where unnaturally dead souls remain visible, a plot is afoot in the highest levels of government to capture these ``tangible'' souls using ``difference engines'' (i.e., computers). Meanwhile, after a music teacher named Miranda is killed, her ghost spurs Eschbach to find her murderer-though the killer's identity isn't as veiled as Modesitt probably wishes, and Eschbach's technological solutions to the novel's mysteries won't hold most readers' interest (the most engrossing moments here involve a Shakespeare-quoting shade; again there is a link to The Tempest, as in the McKillip review above). Moreover, the overly familiar plot and its complications aren't saved by the author's presenting Eschbach's personal relationship with a singer named Llysette as little more than a plot complication.
