Rewrites
A Memoir
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- CHF 16.00
Beschreibung des Verlags
A winning combination of touching personal memories and reflections, anecdotes about the writing life, and hilarious stories about some of the biggest names in the entertainment business, "Rewrites" is "one wonderful read" (Larry King, USA Today).
His plays and movies have kept us laughing for four decades, but even more than the humor, it is the humanity of Neil Simon's vision that has made him America's most-loved playwright. Now, the author of such hilarious and heartwarming plays as Barefoot in the Park, The Odd Couple, Plaza Suite, and The Goodbye Girl gives readers his memoir—a funny, touching biography filled with the details of his writing life and rich with the experiences that underlie his work.
PUBLISHERS WEEKLY
Simon has built his playwrighting career by creating funny, indelible characters. Who can forget Oscar Madison and Felix Unger? This illuminating memoir, which takes Simon into the 1970s, reveals his creative influences, as well as his personal triumphs and tragedies. He is brutally honest in describing his bouts with writer's block, and he's not afraid to admit that directors and actors have often helped him complete some of his most endearing plays. He confides, for instance, that the third act of The Odd Couple went through numerous rewrites and was salvaged only after director Mike Nichols suggested Simon not set the act in the middle of a poker game. Simon's forthright account of his work with Bob Fosse on Sweet Charity illustrates how two immensely talented individuals can work through their differences to create a highly successful show. Anecdotes about actors Simon has worked with make for particularly entertaining copy, and his description of George C. Scott's erratic behavior while he starred in The Gingerbread Lady shows how a playwright's success can hinge on the whims of a troubled actor. However, many digressions, though humorous, distract from the story at hand. Simon's account of his family and personal life beyond the theater lacks resonance, particularly when dealing with his experience with psychotherapy--the only section of the book written in the third person. While this memoir won't bring down the house, in general it's a well-told tale by a man whose talent, diligence and luck have made him Broadway's shining son. 100,000 first printing; Reader's Digest Condensed Book; Fireside Book Club main selection; first serial to Reader's Digest; author tour.
