Sailing to Sarantium
Book One of the Sarantine Mosaic
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Beschreibung des Verlags
Guy Gavriel Kay, the international bestselling and multiple award-winning author of The Fionavar Tapestry, brings his unique storytelling imagination to an alternate Byzantine world…
Sarantium is the golden city: holy to the faithful, exalted by the poets, jewel of the world and heart of an empire.
Caius Crispus, known as Crispin, is a master mosaicist, creating beautiful art with colored stones and glass. Still grieving the loss of his family, he lives only for his craft—until an imperial summons draws him east to the fabled city. Bearing with him a Queen’s secret mission and seductive promise, and a talisman from an alchemist, Crispin crosses a land of pagan ritual and mortal danger, confronting legends and dark magic.
Once in Sarantium, with its taverns and gilded sanctuaries, chariot races and palaces, intrigues and violence, Crispin must find his own source of power in order to survive. He finds it, unexpectedly, high on the scaffolding of his own greatest creation.
PUBLISHERS WEEKLY
Heavy of character and light of plot, Kay's (The Lions of Al Rassan) new series opens with the heady scents of sex, horseflesh and power. In the Holy City of Sarantium, the wily, murderous new emperor, Valerius II, stiffs his soldiers of their pay in order to build a fabulous monument to immortalize his reign. To adorn his temple, he summons a renowned elder mosaicist, who entreats his brilliant, younger partner, Caius Crispus of Varena, to make the journey to Sarantium in his stead. Crispus, who lost his zest for life after his beloved wife and daughters died of the plague, makes the journey under protest. His besieged country's young queen forces him to carry a dangerous, private message to the emperor, the contents of which could cost him his life. En route to Sarantium, Crispus becomes involved with mystically souled mechanical birds created by the magician Zoticus; encounters an awe-inspiring pagan god; saves the life of a beautiful, enslaved prostitute; and demonstrates that decency brings out the best in hired workers. At his destination, he learns to trust his own instincts, especially where knife-wielding assassins and powerful women who use their sexuality as a weapon are concerned. Kay is at his best when describing the intertwining of art and religion or explicating the ancient craft of mosaic work. The slow pace of the novel and the sheer volume of its characters (if ever a book cried out for a listing of dramatis personae, this is it) are dismaying, however, and don't augur well for future installments in the series. Rights: Westwood Creative Artists.
