Spiritual Choreographies
-
- CHF 11.00
-
- CHF 11.00
Beschreibung des Verlags
By blinking his eyes and moving his pupils, a paraplegic man—the onetime vocalist in a famous rock band—composes a kind of anti-biography that is corrected and expanded upon by an unknown editor. Alternating between the vocalist’s impressionistic recollections and the editor’s “corrections,” an asynchronous story emerges, evoking the vocalist’s childhood in southern Chile and telling of the rise and fall of the band that he grew up to lead, while hinting at a multiplicity of other narrative possibilities.
PUBLISHERS WEEKLY
The third novel by Chilean novelist and musician Labb (Loquela) experiments with narrative voice, with results that some readers will find exhilarating and others confusing. With the exception of a politically metaphorical children's story interjected into the middle of the book the chapter numbers of which count backward to zero and then forward again the work alternates between the poetic musings of a paraplegic former lead singer in a rock band and the slightly more conventional narrative "corrections" of these passages by an unidentified editor. Labb slyly slips between pronouns, so that "I," "he," "the boy," and "the other" frequently change identities. The poetic paraplegic may or may not have a twin brother who is in prison for stabbing him, and a wife who was a percussionist in the band. He almost certainly has a politically active mother. He definitely doesn't have a name that the reader can discern, a lack he shares with the other characters. Even as Labb makes sure readers won't be able to relax into a reliable narrative, he grounds the novel in the details of Chilean life past and present. Not for the casual reader, the book reveals its meaning in tiny shock waves that dissipate almost as quickly as they appear, an effect that will appeal to the right reader.
