The Death of Jane Lawrence
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- CHF 12.00
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- CHF 12.00
Beschreibung des Verlags
A haunting new imagining of gothic horror set in a dark-mirror version of post-war England that is not to be read alone at night. For fans of Crimson Peak, Shirley Jackson, Mexican Gothic and Rebecca.
Practical, unassuming Jane Shoringfield has done the calculations, and decided that the most secure path forward is this: a husband, in a marriage of convenience, who will allow her to remain independent and occupied with meaningful work. Her first choice, the dashing but reclusive doctor Augustine Lawrence, agrees to her proposal with only one condition: that she must never visit Lindridge Hall, his crumbling family manor outside of town.
Yet on their wedding night, an accident strands her at his door in a pitch-black rainstorm, and she finds him changed. Gone is the bold, courageous surgeon, and in his place is a terrified, paranoid man―one who cannot tell reality from nightmare, and fears Jane is an apparition, come to haunt him. By morning, Augustine is himself again, but Jane knows something is deeply wrong at Lindridge Hall, and with the man she has so hastily bound her safety to.
PUBLISHERS WEEKLY
Starling (The Luminous Dead) captivates and horrifies by turn in this intricately plotted, deliciously bonkers secondary world gothic fantasy. Mathematical, methodical Jane Shoringfield, not wishing to be a burden on her guardians when they move to the capital of Great Bretlain or to live in the still shell-scarred city where her parents died during a recent war, proposes a marriage of convenience to Augustine Lawrence, the only doctor in her small town of Larrenton. Lawrence agrees on one condition: Jane is never to spend the night at his ancestral home, Lindridge Hall. But when a mudslide destroys her carriage, Jane is forced to break this promise, staying overnight at Lindridge Hall and confronting the secrets that haunt her new husband. The novel spirals out into a tale of creeping terror, both psychological supernatural, before a masterful third-act twist. Those with low tolerance for gore should be warned there are multiple graphic bloodlettings and surgeries, including one while the patient is still conscious. Gothic purists may initially balk at the secondary world setting, as it's somewhat at odds with the genre's emphasis on how women are imprisoned by real-world patriarchal structures, but Starling's magic system is so spookily and fully realized, and the final twist so brilliantly turns the novel on its head, that even the most skeptical will be won over. This proves impossible to put down.
