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Beschreibung des Verlags
Philip Theophrastus Aureolus Bombastus von Hohenheim - known to later ages as Paracelsus - stands on the borderline between medieval and modern; a name that is familiar but a man who has been hard to perceive or understand. Contemporary of Luther, enemy of established medicine, scourge of the universities ('at all the German schools you cannot learn as much as at the Frankfurt Fair'), army surgeon and alchemist, myths about him - from his treating diseases from beyond the grave in mid-nineteenth century Salzburg to his Faustian bargain with the devil to regain his youth - have been far more lasting than his actual story. Even during his lifetime, he was rumoured to travel with a magical white horse and to store the elixir of life in the pommel of his sword.
But who was Paracelsus and what did he really believe and practice? Although Paracelsus has been seen as both a charlatan and as a founder of modern science, Philip Ball's book reveals a more richly complex man - who used his eyes and ears to learn from nature how to heal, and who wrote influential books on medicine, surgery, alchemy and theology while living a drunken, combative, vagabond life. Above all, Ball reveals a man who was a product of his time - an age of great change in which the church was divided and the classics were rediscovered - and whose bringing together of the seemingly diverse disciplines of alchemy and biology signalled the beginning of the age of rationalism.
If one really wants to understand the contradictions and "intellectual ferment" of the 16th century, says Ball, one should look not at Luther or Copernicus, but at the much-maligned Paracelsus. Born in Switzerland in 1493, Philip Theophrastus Bombastus von Hohenheim, aka Paracelsus, is a figure often more imagined than known. Famous as a doctor of alchemic medicine, he has been compared with Faust and developed a reputation as a miracle worker and charlatan that only grew after his death in 1543. Ball, author of the prize-winning Critical Mass, mixes scant biographical detail with a wide-ranging evocation of the Renaissance worldview to create a fascinating portrait of the man, his age and his historical reputation. Forays into ancient, medieval and Islamic medicine, academic rivalries, the proliferation of publications, and treatments of syphilis all help to recreate the mindset in which doctor and patient lived. Concepts of magic as simply the hidden qualities of nature, and the blurring of poison and medicine demonstrate how what we call science and magic overlapped. Ball produces a vibrant, original portrait of a man of contradictions: " humble braggart, a puerile sage, an invincible loser, a courageous coward, a pious heretic, an honest charlatan...." 50 b&w illus.