The Garden Against Time
The Number 1 Sunday Times Bestseller
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- CHF 6.00
Beschreibung des Verlags
The Garden Against Time is the No.1 Sunday Times bestseller from acclaimed writer Olivia Laing; a passionate, epic exploration of the power and possibilities of gardens.
'What a wonderful book this is' – Nigel Slater
‘A book for thinking gardeners everywhere’ – Mary Keen
When Olivia Laing began to restore a walled garden in Suffolk, an overgrown Eden of unusual plants, the work drew them into an exhilarating investigation of paradise and its long association with gardens.
Moving between the real and the imagined, from Milton’s Paradise Lost to a wartime sanctuary in Italy, to a grotesque aristocratic pleasure ground funded by slavery, Laing interrogates the sometimes shocking cost of making paradise on earth.
But the story of the garden can also be a place of rebel outposts and communal dreams, from the improbable queer utopia conjured by Derek Jarman on the beach at Dungeness to the vision of a common Eden cultivated by William Morris. New modes of living can and have been attempted amidst the flower beds, experiments that could prove vital in the coming era of radical change.
‘This book is what we need right now: paradise, regained’ – Philip Hoare
‘Every generation gets one perfect book about gardens and this is ours’ – Julia Bell
‘Prepare yourself to be enchanted’ – Jilly Cooper
‘The most magical writing’ – Jeremy Lee
‘I felt doubly alive after reading it’ – Celia Paul
‘Quite literally unputdownable’ – Jinny Blom
PUBLISHERS WEEKLY
"A garden is a time capsule, as well as a portal out of time," according to this searching study. Critic Laing (Everybody) examines how historical British gardens reflect the periods in which they were designed and contemporaneous understandings of paradise on Earth. Some tracts were "founded on exclusion and exploitation," Laing contends, describing how aspiring aristocrat William Middleton relied on funds from his American slave plantations to build a garden on his Shrubland Hall property in the late 1700s, and how numerous estates in the early 19th century evicted entire villages to create the impression they were surrounded by untouched wilderness. Others had more inclusive, utopian ambitions. For instance, Gerrard Winstanley, the leader of a "breakaway sect of the English Civil War" called the Diggers, pursued his communitarian vision of society by growing carrots and corn that were shared among "all who laboured on it." The lyrical prose emphasizes the ways in which gardens connect individuals across history (Laing notes that the daughters of a famous Victorian socialist minister who once owned Laing's house likely walked past the same mulberry tree that still stands in her garden), leading the author to muse that her attraction to cultivating plants stems from wanting "to move into a different understanding of time: the kind of time that moves in spirals or cycles, pulsing between rot and fertility, light and darkness." This is well worth seeking out.
