The Jazz Scene
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- CHF 19.00
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- CHF 19.00
Beschreibung des Verlags
From 1955-65 the historian Eric Hobsbawm took the pseudonym 'Francis Newton' and wrote a monthly column for the New Statesman on jazz - music he had loved ever since discovering it as a boy in 1933 ('the year Adolf Hitler took power in Germany'). Hobsbawm's column led to his writing a critical history, The Jazz Scene (1959). This enhanced edition from 1993 adds later writings by Hobsbawm in which he meditates further 'on why jazz is not only a marvellous noise but a central concern for anyone concerned with twentieth-century society and the twentieth-century arts.'
'All the greats are covered in passing (Louis Armstrong, Billie Holiday), while further space is given to Duke Ellington, Ray Charles, Thelonious Monk, Mahalia Jackson, and Sidney Bechet ... Perhaps Hobsbawm's tastiest comments are about the business side and work ethics, where his historian's eye strips the jazz scene down to its commercial spine.' Kirkus Reviews
PUBLISHERS WEEKLY
English historian Hobsbawn ( The Age of Empire ) started writing about jazz for the New Statesman in the 1950s under the pseudonym Francis Newton, and most of the essays in this volume were originally published in the U.S. between 1959 and 1961. The body of this valuable study consists of an overview of the history, music, business and people of jazz. Older sections are left untouched (at one point the author notes that readers will need a gramophone to appreciate his advice on listening to jazz fully), but the introductions--one dated 1989 for the most recent British edition and one written for the first U.S. publication--are helpful. From them it is obvious that time hasn't dampened Hobsbawn's enthusiasm for what he calls ``one of the most remarkable cultural phenomena of our century.'' In addition to the articles from the New Statesman , pieces from the New York Review of Books, written in the late 1980s, are also included in this love song from a dedicated fan.
