The Leftovers
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- CHF 4.50
Descrizione dell’editore
From the author of ‘Little Children’ and now a major new TV series, ‘The Leftovers’ asks what if one day some of us simply vanished? And some were left behind?
Following the sudden disappearance of thousands of citizens, Kevin Garvey, Mapleton’s new mayor, wants to bring a sense of hope to his traumatised community, but his family has fallen apart in the wake of disaster. Kevin’s wife has joined a homegrown cult, and his son is a disciple of the prophet Holy Wayne. Only Jill, Kevin’s daughter, remains, and she’s no longer the sweet student she once was.
Written with a rare ability to illuminate our everyday struggles, ‘The Leftovers’ is a startling novel about love, connection and loss.
Reviews
‘There are few writers more entertaining or adept than Tom Perrotta at explaining the frustrations, ennui and creeping darkness at the heart of American suburbia’ Vogue Magazine
‘The Steinbeck of Suburbia’ Time
‘Read The Leftovers. Don’t get left behind’ USA Today
‘The champion of stateside suburbia’ Observer
About the author
Tom Perrotta is the author of several works of fiction, including ‘Little Children’, ‘Joe College’ and ‘Election’. He lives outside Boston, Massachusetts.
PUBLISHERS WEEKLY
Perrotta (The Abstinence Teacher) gets seriously dystopian with his sixth novel when millions of people vanish into thin air one fine October day. Although the "Sudden Departure" resembles the Rapture, it was a secular event, leaving a hodgepodge of survivors with neither solace nor faith. Despite the fact that her family was left intact, suburban housewife Laurie Garvey feels compelled to leave her husband, the mayor of Mapleton, and their two teenage children, to join the Guilty Remnant, a cult that still believes the end of the world is nigh. G.R. members must obey three rules: remain silent, wear white, and smoke cigarettes. Perrotta wittily and economically establishes this intriguing premise, but then largely sidelines his sharp satiric eye in favor of a straightforward examination of loss and bewilderment. Laurie's motivations are frustratingly vague: "She had joined the G.R. because... she had no choice." The senseless, sometimes absurd mission of the cult mirrors the gaping hole blown into modern morality, as hapless survivors trudge about, failing to connect in meaningful ways. Laurie's daughter, Jill, is morally adrift, and her son, Tom, comes under the sway of a charlatan religious healer, until suffering a cruel disillusionment. Though all the ennui is surely the point, the end of the world isn't much fun.
