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Beschreibung des Verlags
Clive Cussler continues his thrilling NUMA Files with The Navigator.
Iraq, 2003: in the post-war looting of the treasures from Baghdad's antiquities museum, a legendary Phoenicean statue is stolen . . .
Known as the Navigator, the statue points back to the days of King Solomon and is the vital clue to a secret of unimaginable power. Lucky then that UN investigator Carina Mechadi recovers it quickly. But a daring raid by helicopter in Iceberg Alley off Newfoundland and the statue is gone again - while Carina is only saved by the timely intervention of Kurt Austin of NUMA.
Now Austin and Carina are scouring the globe. Firstly, to track down the statue as it leaves a trail of murder and mayhem in its wake. And, secondly, to beat the thieves to the secret of the Navigator - for if it falls into the wrong hands, the world could be changed for ever.
Clive Cussler, author of the best-selling Dirk Pitt novels Arctic Drift and Trojan Odyssey, and co-author Paul Kemprecos place their hero, Kurt Austin, in a globe-trotting race against time in The Navigator, the seventh novel of the action-packed NUMA Files series. Lost City and Polar Shift are the fifth and sixth.
Praise for Clive Cussler:
'Cussler is hard to beat' Daily Mail
Fans of action-hero Kurt Austin of the National Underwater and Maritime Agency expect imaginative plotting, but it never comes down the chute in this seventh NUMA Files novel from bestseller Cussler and Shamus-winner Kemprecos (after Polar Shift). Austin and his team are hunting icebergs when they chance upon a pirate raid aimed at stealing a priceless Phoenician antiquity launched by a stereotypical megalomaniacal villain, Viktor Baltazar, who believes he's a descendant of King Solomon. Baltazar and Austin joust continually (once, literally!) over the antique, which may be connected to the lost ark of the covenant, Thomas Jefferson and the suspicious death of Meriwether Lewis. Sequences including the attempted human sacrifice of the requisite gorgeous female U.N. investigator are all too predictable, and the writing ("The Filipino's lips curved like slices of liverwurst in a frying pan") is often less than Cussler's best.