The Red Carpet
Stories
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Beschreibung des Verlags
Wry humor and a delicious grasp of the friction between generations in Bangalore are the hallmarks of Lavanya Sankaran’s fresh, deeply nuanced debut collection. “A potpourri of beggars and billionaires and determinedly laid-back ways,” Bangalore, India’s own Silicon Valley, is a crucible for prosperity, and at the chaotic crossroads between past and present. Here, American-trained professionals like Tara return to their old-fashioned families with heads full of Quentin Tarantino dialogue; a successful entrepreneur is shaken when his partner suddenly reneges on their plan to return to America; a traditional Indian mother slyly circumvents her Western-educated daughter’s resistance to marriage; a neighborhood gossip is determined to discover what goes on behind the closed curtains of the hip young couple across the street; a chauffeur must reconcile his more orthodox credos with his employer’s miniskirt lifestyle.
Witty, affectionate, and wonderfully wise, Lavanya Sankaran’s first collection attests to her remarkable literary talent.
PUBLISHERS WEEKLY
Traditional values and new expectations confront the diverse residents of Bangalore, where rutted, nearly impassable roads and one-room schoolhouses lie a half-hour's drive from glittering department stores selling aromatherapy candles amid the piped-in tunes of Billy Joel and Eminem, in Sankaran's animated debut collection. In "Bombay This," Ramu, a 30-year-old software employee recently dedicated to finding himself a wife, employs his mother as a matchmaker (or "Connubial Pimp," in his casual, irreverent parlance) while keeping his own eyes open, and grows increasingly drawn to a vivacious Bombay woman whose modern ways his mother can't understand. In the title story, an impoverished chauffeur's affection for his boss, the kindly memsahib all the servants call Maydum, clashes with his discomfort over what he believes are her immoral behaviors. A willful young girl and her manipulative nanny engage in an escalating battle of lies and betrayal in "Two Four Six Eight," while a young accountant, already betrayed by her father's suicide, sees her work co-opted by a slick, handsome colleague in "Mysore Coffee." Though the stories often don't end as strongly as they begin Sankaran builds tension brilliantly but doesn't always offer a climax to balance it they are memorable for their subtle wit and convincing evocation of a dynamic world.
