The Shipping News
A Novel
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Beschreibung des Verlags
Winner of the Pulitzer Prize, Annie Proulx’s The Shipping News is a vigorous, darkly comic, and at times magical portrait of the contemporary North American family.
Quoyle, a third-rate newspaper hack, with a “head shaped like a crenshaw, no neck, reddish hair...features as bunched as kissed fingertips,” is wrenched violently out of his workaday life when his two-timing wife meets her just desserts. An aunt convinces Quoyle and his two emotionally disturbed daughters to return with her to the starkly beautiful coastal landscape of their ancestral home in Newfoundland. Here, on desolate Quoyle’s Point, in a house empty except for a few mementos of the family’s unsavory past, the battered members of three generations try to cobble up new lives.
Newfoundland is a country of coast and cove where the mercury rarely rises above seventy degrees, the local culinary delicacy is cod cheeks, and it’s easier to travel by boat and snowmobile than on anything with wheels. In this harsh place of cruel storms, a collapsing fishery, and chronic unemployment, the aunt sets up as a yacht upholsterer in nearby Killick-Claw, and Quoyle finds a job reporting the shipping news for the local weekly, the Gammy Bird (a paper that specializes in sexual-abuse stories and grisly photos of car accidents).
As the long winter closes its jaws of ice, each of the Quoyles confronts private demons, reels from catastrophe to minor triumph—in the company of the obsequious Mavis Bangs; Diddy Shovel the strongman; drowned Herald Prowse; cane-twirling Beety; Nutbeem, who steals foreign news from the radio; a demented cousin the aunt refuses to recognize; the much-zippered Alvin Yark; silent Wavey; and old Billy Pretty, with his bag of secrets. By the time of the spring storms Quoyle has learned how to gut cod, to escape from a pickle jar, and to tie a true lover’s knot.
PUBLISHERS WEEKLY
Proulx has followed Postcards , her story of a family and their farm, with an extraordinary second novel of another family and the sea. The fulcrum is Quoyle, a patient, self-deprecating, oversized hack writer who, following the deaths of nasty parents and a succubus of a wife, moves with his two daughters and straight-thinking aunt back to the ancestral manse in Killick-Claw, a Newfoundland harbor town of no great distinction. There, Quoyle finds a job writing about car crashes and the shipping news for The Gammy Bird , a local paper kept afloat largely by reports of sexual abuse cases and comical typographical errors. Killick-Claw may not be perfect, but it is a stable enough community for Quoyle and Co. to recover from the terrors of their past lives. But the novel is much more than Quoyle's story: it is a moving evocation of a place and people buffeted by nature and change. Proulx routinely does without nouns and conjunctions--``Quoyle, grinning. Expected to hear they were having a kid. Already picked himself for godfather''--but her terse prose seems perfectly at home on the rocky Newfoundland coast. She is in her element both when creating haunting images (such as Quoyle's inbred, mad and mean forbears pulling their house across the ice after being ostracized by more God-fearing folk) and when lyrically rendering a routine of gray, cold days filled with cold cheeks, squidburgers, fried bologna and the sea.
