The Tiger's Wife
Winner of the Orange Prize for Fiction and New York Times bestseller
-
- CHF 3.50
-
- CHF 3.50
Description de l’éditeur
WINNER OF THE ORANGE PRIZE FOR FICTION
'Not since Zadie Smith has a young writer arrived with such power and grace' Time
'A marvel of beauty and imagination' Ann Patchett
A tiger escapes from the local zoo, padding through the ruined streets and onwards, to a ridge above the Balkan village of Galina. His nocturnal visits hold the villagers in a terrified thrall - but for one boy, the tiger is a thing of magic.
Natalia is the granddaughter of that boy. Now a doctor, she is visiting orphanages in the war-torn Balkans when she receives word of her beloved grandfather's death, far from their home, in circumstances shrouded in mystery.
Compelled to unravel the truth, Natalia stumbles upon a clue that will lead her to a tattered copy of The Jungle Book, and then to the most extraordinary story her grandfather never told her - the legend of the tiger's wife.
One of the most
BRILLIANT (Sunday Times)
ASTONISHING (New York Times)
PRODIGIOUS (Guardian)
FORMIDABLE (Financial Times)
EXTRAORDINARY (Vogue)
writers of her generation
PUBLISHERS WEEKLY
The sometimes crushing power of myth, story, and memory is explored in the brilliant debut of Obreht, the youngest of the New Yorker's 20-under-40. Natalia Stefanovi, a doctor living (and, in between suspensions, practicing) in an unnamed country that's a ringer for Obreht's native Croatia, crosses the border in search of answers about the death of her beloved grandfather, who raised her on tales from the village he grew up in, and where, following German bombardment in 1941, a tiger escaped from the zoo in a nearby city and befriended a mysterious deaf-mute woman. The evolving story of the tiger's wife, as the deaf-mute becomes known, forms one of three strands that sustain the novel, the other two being Natalia's efforts to care for orphans and a wayward family who, to lift a curse, are searching for the bones of a long-dead relative; and several of her grandfather's stories about Gavran Gail , the deathless man, whose appearances coincide with catastrophe and who may hold the key to all the stories that ensnare Natalia. Obreht is an expert at depicting history through aftermath, people through the love they inspire, and place through the stories that endure; the reflected world she creates is both immediately recognizable and a legend in its own right. Obreht is talented far beyond her years, and her unsentimental faith in language, dream, and memory is a pleasure.
