Throne of Glass
From the # 1 Sunday Times best-selling author of A Court of Thorns and Roses
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4.1 • 15 Bewertungen
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- CHF 8.00
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- CHF 8.00
Beschreibung des Verlags
'One of the best fantasy book series of the past decade' TIME
Enter the realm. Unleash the darkness. Live the legend.
In a land without magic, an assassin is summoned to the castle. Celaena Sardothien has no love for the vicious king who rules from his throne of glass, but she has not come to kill him. She has come to win her freedom. If she defeats twenty-three murderers, thieves, and warriors in a deadly competition, she will be released from prison to serve as the King's Champion.
But something rotten dwells in the castle – and it's there to kill. When her competitors start dying mysteriously, one by one, Celaena's fight for freedom becomes a fight for survival – and a desperate quest to root out the evil before it destroys her world, and the people she has come to love.
Thrilling and fierce, Throne of Glass is the first book in the #1 New York Times bestselling series that has captivated readers worldwide.
PUBLISHERS WEEKLY
Readers seeking the political intrigue of Kristen Cashore's Graceling and its sequels or the deadly competition at the heart of The Hunger Games will find both in Maas's strong debut novel. Celaena Sardothien is considered the best assassin in Adarlan, and she has been condemned to the salt mines for her work. As the story opens, she is plucked from slow execution by the calculating crown prince, Dorian, to be his candidate for champion, competing against "hieves and assassins and warriors" to become an enforcer for the king. The stakes are freedom or death: win or return to the mines. Youthful captain Chaol is charged with preventing Celaena's escape, and though she fantasizes about killing him on occasion, he becomes a far different target of her attention. This is not cuddly romance, but neither is it grim. Celaena is trained to murder, yet she hasn't lost her taste for pretty dresses or good books, and a gleam of optimism tinges her outlook. Maas tends toward overdescription, but the verve and freshness of the narration make for a thrilling read. Ages 12 up.
