Timeline
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4,8 • 4 valutazioni
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- CHF 10.00
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- CHF 10.00
Descrizione dell’editore
Sometimes, it seems like you can reach out and touch the past...
An old man wearing a brown robe is found wandering disoriented in the Arizona desert. He is miles from any human habitation and has no memory of how he got to be there, or who he is. The only clue to his identity is the plan of a medieval monastery in his pocket.
In France, Professor Edward Johnston and his students are studying the ruins of a medieval town. Suspicious of the knowledge of the site shown by their mysterious financier, he returns to the US to investigate. But in his absence, the students make a disturbing discovery in the ruins: the long-decayed remains of Johnston's glasses - and a message in modern English.
The implications are staggering. The consequences are earth-shaking. And the distant past isn't so distant any more.
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Increasingly considered an underappreciated classic that stands proudly alongside his more famous works like Jurassic Park and Westworld, Timeline confirms Michael Crichton as the king of the high-concept thriller, and a master storyteller to boot.
PUBLISHERS WEEKLY
"And the Oscar for Best Special Effects goes to: Timeline!" Figure maybe three years before those words are spoken, for Crichton's new novel--despite media reports about trouble in selling film rights, which finally went to Paramount--is as cinematic as they come, a shiny science-fantasy adventure powered by a superior high concept: a group of young scientists travel back from our time to medieval southern France to rescue their mentor, who's trapped there. The novel, in fact, may improve as a movie; its complex action, as the scientists are swept into the intrigue of the Hundred Years War, can be confusing on the page (though a supplied map, one of several graphics, helps), and most of its characters wear hats (or armor) of pure white or black. Crichton remains a master of narrative drive and cleverness. From the startling opening, where an old man with garbled speech and body parts materializes in the Arizona desert, through the revelation that a venal industrialist has developed a risky method of time-travel (based on movement between parallel universes; as in Crichton's other work, good, hard science abounds), there's not a dull moment. When elderly Yale history prof Edward Johnston travels back to his beloved 15th century and gets stuck, and his assistants follow to the rescue, excitement runs high, and higher still as Crichton invests his story with terrific period detail and as castles, sword-play, jousts, sudden death and enough bold knights-in-armor and seductive ladies-in-waiting to fill any toystore's action-figure shelves appear. There's strong suspense, too, as Crichton cuts between past and present, where the time-travel machinery has broken: Will the heroes survive and make it back? The novel has a calculated feel but, even so, it engages as no Crichton tale has done since Jurassic Park, as it brings the past back to vigorous, entertaining life.
