Untold Stories
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- CHF 12.00
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- CHF 12.00
Descrizione dell’editore
Untold Stories brings together some of the finest and funniest writing by Alan Bennett, one of England's best-known literary figures.
"[Bennett] does what only the best writers can do—make us look at ourselves in a way we've never done before." —Michael Palin
Alan Bennett's first major collection since Writing Home contains previously unpublished work—including the title piece, a poignant memoir of his family and of growing up in Leeds—along with his much celebrated diary for the years 1996 to 2004, and numerous other exceptional essays, reviews, and comic pieces. In this highly anticipated compendium, the Today Book Club author of The Clothes They Stood Up In reveals a great many untold secrets and stories with his inimitable humor and wry honesty—his family's unspoken history, his memories of Peter Cook and Dudley Moore, and his response to the success of his most recent play, The History Boys.
Since the success of Beyond the Fringe in the 1960s, Bennett has delighted audiences worldwide with writing that is, in his words, "no less serious because it is funny." The History Boys opened to great acclaim at the Royal National Theatre in 2004, winning numerous awards, and is scheduled to open in New York City in April 2006.
PUBLISHERS WEEKLY
Bennett has been known to British audiences of radio, television, stage and screen for decades. In the United States, he's best known as the screenwriter of The Madness of King George and, perhaps, for his experiences with Miss Shepherd, an indigent woman who set up a succession of vans in his front yard for 15 years. Now he returns with a shaggy collection of autobiographical sketches, diary entries, considerations of art, architecture and other authors, as well as an account of his bout with colon cancer. Returning to the precincts of his straitlaced, working-class British background, Bennett reveals a lost world whose influence and mores have trailed him his entire life. He revisits the Leeds that he knew in the 1940s, where he was first exposed to music and theater, and where his parents, both shy and retiring people, set lack of pretension as the highest value. While he plays the old crank who is put upon by the world as it is, Bennett reveals an eye for detail and a feel for the complexity of human interactions. And though he laments at length his own late maturation physical, sexual and intellectual and lack of sophistication, he shows himself to have achieved a measure of happiness. B&w photos.
