Why Buffy Matters
The Art of Buffy the Vampire Slayer
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- CHF 26.00
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- CHF 26.00
Beschreibung des Verlags
Hugely enjoyable, long awaited book by top world authority on "Buffy the Vampire Slayer". Buffy is still on screens and on DVD in home television libraries of a wide array of TV watchers and fans. This is also the student text for TV and cultural studies at colleges and universities where Buffy is widely taught. Rhonda Wilcox is a world authority on "Buffy the Vampire Slayer", who has been writing and lecturing about the show since its arrival on our screens. This book is the distillation of this remarkable body of work and thought, a celebration of the series that she proposes is an aesthetic test case for television. Buffy is enduring as art, she argues, by exploring its own possibilities for long-term construction as well as producing individual episodes that are powerful in their own right. She examines therefore the larger patterns that extend through many episodes: the hero myth, the imagery of light, naming symbolism, Spike, sex and redemption, Buffy Summers compared and contrasted with Harry Potter. She then moves in to focus on individual episodes, such as the "Buffy musical Once More, with Feeling", the largely silent Hush and the dream episode "Restless" (T.S.
Eliot comes to television). She also examines Buffy's ways of making meaning - from literary narrative and symbolism to visual imagery and sound. Combining great intelligence and wit, written for the wide Buffy readership, this is the worthy companion to the show that has claimed and kept the minds and hearts of watchers worldwide.
PUBLISHERS WEEKLY
This accessible collection of essays on Buffy the Vampire Slayer defends the artistic merit of the fantasy TV show with equal parts wit and insight. Wilcox, an English professor at Gordon College, is a fan of the series and doesn't condescend to other fans or disparage what she believes is "art, and deserves to be so studied. It is a work of literature, of language...of visual art...of music and sound." Wilcox looks at the big-picture narrative arc and at individual episodes, finding impressive, but sometimes tenuously connected, influences at work: Joseph Campbell's momomyth, Shakespeare, T.S. Eliot, John Donne, Virgil and Charles Dickens. "One of the great themes of Dickens's Bleak House," she writes, "is our interconnection; and one of the great themes of Buffy is the virtue of community." Not surprisingly, the author has no patience for critics and academics who dismiss Buffy as mere "cult TV" on the basis of its genre and argues that fantasy can have more emotional resonance than realism. Though not convincing as a work of genuine scholarship, Wilcox's book is a serviceable addition to the canon of Buffy.
