Night of Cake & Puppets
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- $7.900
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- $7.900
Descripción editorial
In this stand-alone companion to the New York Times bestselling Daughter of Smoke & Bone series comes the story of Mik and Zuzana's fantastical first date--as a gorgeously illustrated gift edition with bonus content included.
Petite though she may be, Zuzana is not known for timidity. Her best friend, Karou, calls her "rabid fairy," her "voodoo eyes" are said to freeze blood, and even her older brother fears her wrath. But when it comes to the simple matter of talking to Mik, or "Violin Boy," her courage deserts her. Now, enough is enough. Zuzana is determined to make the first move, and she has a fistful of magic and a plan. It's a wonderfully elaborate treasure hunt of a plan that will take Mik all over Prague on a cold winter's night before leading him to the treasure: herself! Violin Boy is not going to know what hit him.
New York Times bestselling author Laini Taylor brings to life a night only hinted at in the Daughter of Smoke & Bone trilogy--the magical first date of fan-favorites Zuzana and Mik. Originally published as an ebook, this new print edition will include breathtaking black and white illustrations, plus bonus content in a gorgeous package perfect for new and current fans of the series.
PUBLISHERS WEEKLY
Following Kind One, Hunt returns to the 19th century to transform a footnote in history the women who fought disguised as men in the Civil War into a haunting meditation on the complexity of human character, the power of secrets, and the contradictions of the American experience. Saying that "he was made out of wool and I was made out of wire," Constance Thompson leaves her husband Bartholomew to work their Indiana farm and enlists in the Union Army as Ash Thompson. Her strength, fortitude, and marksmanship serve her disguise well, and soldiering seems to offer some of the change she has craved. But the carnage inevitably takes its toll. Captured by bounty hunters, Constance must use both cunning and violence to escape. After an injury separates her from her unit, the nurse with whom she's sheltered betrays her to the military authorities, and she is put in a madhouse. Though she finds her way back home, the war's brutality has changed both her and the farm so much that familiar grounds offers no peace, only pain. Hunt's characterization of Constance transcends simplistic distinctions between male and female, good and bad. The language of her narration is triumphant as well: sometimes blunt, sometimes visionary, and always fascinating.