Old Souls
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- $12.500
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- $12.500
Descripción editorial
From Brian McDonald and Les McClaine comes Old Souls, a supernatural graphic novel about addiction, obsession, and the things we do for family.
Chris Olsen has a good life. He has a regular job, a wife and daughter who love him, and a promising future. By any measure this is a good life, but it isn’t his first.
When a troubling encounter with a homeless man triggers something inside Chris, memories of his past lives bubble to the surface. A lost Chinese boy, a wailing grandmother, and a love so powerful it never left his soul—all compete for his attention.
Chris sinks deep into the seedy and seductive world of “grave robbers,” vagrants known for their ability to relive their former lives. But can he find closure to a tragic episode in his past without losing himself in the process?
PUBLISHERS WEEKLY
A family man painfully relives past lives in this chilling supernatural thriller set in the contemporary Pacific Northwest. Chris Olsen works at a mall, where he generously buys lunch for a homeless man, Jack, who then claims that he's Chris's Chinese grandmother from a former life who lost hold of him during the Raid of Nanking. When Chris's four-year-old daughter, Amy, also recalls she was someone else before specifically a girl murdered at the age of seven, by her own father Chris is jolted. After he dreams of being a child in China, he gets drawn into Jack's cult of "Graverobbers," homeless men who gather to vividly reexperience former lives (and deaths). The Buddha-like guru, Del, unlocks more of Chris's buried memories (including an uncomfortably clich d trip through the life of a repentant slave owner), while Jack begins to fear that his "grandson" is in danger of losing his current self to the past. The script by McDonald (Invisible Ink) is accentuated by clean, expressive black-and-white artwork by McClaine (The Middleman series), highlighted by a mono-color blue shading and spot black shadows that shock-change to bright white during traumatic scenes. An obvious moral is summed midway: "It's death that allows us to appreciate our lives and not take things for granted." This ghost story/time travel mash-up often leans toward the derivative, but the execution still serves up moments of visceral drama.
